The Bottom Line
- The Origin: The historic feud stems from a 2006 billing dispute over marquee positioning during the staging of Pasajeros de la risa at Mar del Plata’s Teatro Tronador.
- The Catalyst: The decades-old tension resurfaced publicly following a modern social media clash involving journalist Marcelo Polino and pop artist Lali Espósito.
Unraveling the 2006 Mar del Plata Theatrical Crisis
The entertainment landscape in Argentina was shaken late Tuesday night when an audio message broadcast on América TV’s SQP brought a long-buried feud back into the public eye. Eliana Guercio alleged that her time sharing a stage with Ximena Capristo in the theatrical production Pasajeros de la risa at Mar del Plata’s Teatro Tronador resulted in a mental health crisis. “I didn’t return to the theater because I lived on the 28th floor and wanted to throw myself off the balcony because of the miserable life this woman made for me. My parents had to come to Mar del Plata to rescue me,” Guercio stated in the voice note.
The revelation caught Capristo off guard live on air. Responding to the claims in the studio, Capristo expressed profound shock at the severity of the accusation. “What? I never knew that. It’s very grave, it’s very strong,” Capristo remarked, attempting to contextualize the historical dispute. She noted that the original disagreement centered on a trivial marquee placement dispute regarding who occupied the left or right side of the promotional posters for the Jorge Corona-led cast. Capristo maintained that the issue was minor, suggesting that any personal friction at the time was being disproportionately framed decades later.
The Evolution of a Decades-Long Celebrity Feud
The animosity between the two personalities extends far beyond a single theatrical run. Years prior to their Mar del Plata season, Guercio and Capristo worked together on Gerardo Sofovich’s television project La peluquería and the reality format Patinando. However, their personal relationship suffered an irreparable fracture following an anonymous message sent to the television program Intrusos. That message falsely accused a cast member of soliciting prostitution, an incident that prompted journalist Marcelo Polino to question Guercio directly on camera—a moment that culminated in a historic televised slap.
Over the years, Polino publicly identified Capristo as the source of the anonymous message, a claim Capristo has consistently denied and which Guercio noted became the subject of legal action. Despite an apparent, brief reconciliation in recent years—where the two reportedly embraced and exchanged tears backstage at Telefe—the underlying tension remained volatile.
The Modern Social Media Spark That Revived the Dispute
The conflict reignited following a public disagreement between Polino and pop singer Lali Espósito. When Capristo offered commentary on the dispute and claimed that Polino had attempted to damage her reputation years prior, the veteran journalist responded sharply via social media. Polino posted a pointed remark directed at Capristo, invoking the historical anonymous message scandal with the warning: “I am a journalist. Furthermore, I keep everything. You look for me, you find me.” That digital exchange acted as the catalyst for Guercio’s subsequent audio disclosure on SQP.
| Event / Milestone | Year | Key Context |
|---|---|---|
| Early Collaborations | Early 2000s | Shared television credits including La peluquería and Patinando under producer Gerardo Sofovich. |
| Mar del Plata Season | 2006 | Cast members in Pasajeros de la risa at Teatro Tronador; marquee billing disputes led to Guercio’s departure. |
| Anonymous Note Incident | Mid-2000s | A controversial note sent to Intrusos sparked intense media fallout, subsequent legal action, and a permanent rift. |
| Recent Public Resurgence | August 2026 | A social media exchange involving journalist Marcelo Polino triggered renewed public statements on América TV. |
Navigating Public Feuds in Modern Media Culture
What began as a routine television commentary panel rapidly escalated into a discussion regarding historical workplace hostility and mental health.
What are your thoughts on how historical celebrity disputes resurface in modern television media? Let us know your perspective in the comments below.
