[EN IMAGES] FEQ: the beautiful vertigo of Charlotte Cardin

A Quebec star in full possession of her faculties and on her way to the highest peaks, numerous festival-goers and no rain: the Festival d’été de Québec could hardly have asked for better for its return to the Plains of Abraham after two summers of ‘absence.

• Read also: Summer festival: Old Quebec finally reconnects with its many festival-goers

• Read also: FEQ: Charlotte Cardin’s meteoric rise in 5 defining moments

Better, Charlotte Cardin seemed frankly delighted, almost overthrown, Wednesday evening, at the sight of the tide of festival-goers – the site was very busy for the occasion, 60,000 people according to the words of the star – who had just welcomed her in chanting his name.

Photo AGENCE QMI, MARCEL TREMBLAY

“We’re in heaven,” exclaimed, with a big smile, the 27-year-old artist, one of the youngest Quebec artists to have been offered the Plains as a headliner.

What six years can do. In 2016, she fought the cold and the wind, hidden behind her piano, opening for Peter Gabriel and Sting.

Wednesday evening, just crowned queen of the Junos awards and on the heels of a sold-out tour, Charlotte Cardin appeared fully in charge, confident, charismatic. Not intimidated for two pennies.

Photo AGENCE QMI, MARCEL TREMBLAY

Right from the start, gracefully pacing the stage to the sound of Passive Agressive or guitar in hand for Daddyshe quickly demonstrated that she had the stature to sing on such a large stage.

“I’m a little dizzy,” she nevertheless admitted. I keep discovering new crowds everywhere I look. This is fucking unbelievable.”

Patrick Watson gently

Her admirers followed her all evening. After a series of titles in English, cell phones turned on during his very beautiful ballad I leave. The look was lovely. The crowd then went up in flames during a segment where they played the card of sensuality by lining up Dirty Dirty et Sex To Me.

As she did recently in Montreal, the singer seemed to see an incident on the floor and took the opportunity to recall that her concert was a “safe space“. “Nothing is going to be tolerated in non-consensual touching,” she warned.

Photo AGENCE QMI, MARCEL TREMBLAY

Then, as promised, it was the moment of surprise imposed by the carte blanche concept and, while Charlotte Cardin was singing at the piano FaufilePatrick Watson advanced almost on tiptoe and slipped by his side.

In a beautiful and gentle complicity, highlighted by a judicious use of the four giant screens surrounding the new stage, the two friends then offered a title by Watson, I will leave you notesand an excellent recovery of Diamondsby Rihanna.

Electrifying recovery

This very delicate portion finished, Charlotte Cardin went into second gear for the home stretch.

Another cover, that of Fools anywhere, by Daniel Bélanger, during which she took a walk, was electrifying. Possibly the best moment of his concert.

Photo AGENCE QMI, MARCEL TREMBLAY

As a reminder, she began by wishing a happy 60^e birthday to his mom, his “main girl“, to present his song well. Subsequently, radiant, she wanted to take a photo to immortalize what certainly ranks as her greatest career feat.

“I would like to be nowhere else”, she launched before being joined by a choir for a moving finale to the sound of Anyone Who Loves Me.

No doubt he won’t need to use the pretext of a carte blanche the next time he’s invited to the Plains.

Photo AGENCE QMI, MARCEL TREMBLAY

Jessia: TikTok generation

“Who is following me on TikTok?” Jessia had only been on stage for a few songs, at the start of the evening, when she put it in our face that the social network that promotes the stars in the making, in 2022, is no longer the same as at the last FEQ , in 2019.

In the case of this artist from British Columbia in her early twenties, recent revelation of the year at the Juno Awards, TikTok has certainly been a springboard to make her known, mainly through song. I’m Not Pretty. But judging by his confidence on stage and his vocal control, it would have happened one way or another.

Her short pop songs sometimes have a rock edge reminiscent of what Avril Lavigne offers. It is no coincidence that she borrows I’m With Youvery well rendered by the way, during his performance.

With a full album and a few hits, this young woman could wreak havoc.

Lennon Stella: a bit tall

Sandwiched between Jessia and Charlotte Cardin, Ontario’s Lennon Stella fell victim to the comparison game.

Photo AGENCE QMI, MARCEL TREMBLAY

Despite a fine repertoire and the support of two singers and a brilliant group of musicians, his pop and his stage energy did not have as much bite as his compatriots.

Photo AGENCE QMI, MARCEL TREMBLAY

On a large site like the Plains, it’s deadly. However, we will want to see her again in a theater. In another, more intimate context, she might be better able to join us.