Erik Marmo has detailed the reality of restarting his acting career in the United States after leaving Brazil 12 years ago. Now appearing in the Apple TV film BitterSweet, Marmo is debunking the Hollywood glamour myth, emphasizing that networking and persistence are required when transitioning to the U.S. market.
For Erik Marmo, the reality was a strategic grind. After roles in Brazilian soap operas in the 2000s—such as Alma Gêmea (2005)—Marmo moved to Los Angeles in 2014 to start from zero. It was about artistic growth.
The “galã” (heartthrob) label that was part of the Brazilian television mechanism is not something that limits his possibilities as an actor. In the U.S., he is navigating a different market.
The Bottom Line
- The Pivot: Marmo transitioned from his career in Brazil to working in Los Angeles, focusing on “relearning” how to position himself.
- The Win: His persistence has led to a role in BitterSweet, available on Apple TV.
- The Outlook: While focused on his family and projects in the United States, Marmo remains open to returning to Brazilian TV for the right project and team.
The Reality of the Hollywood Transition
Marmo clarifies that while living in Los Angeles facilitates English practice and easier access to auditions and networking, it doesn’t guarantee a spot in Hollywood. The market is extremely competitive. To succeed, he had to be patient and learn the dynamics of the local market.
BitterSweet is a production inspired by the true story of a Brazilian woman and features an international cast.
| Career Phase | Market Focus | Primary Driver | Key Outcome |
|---|---|---|---|
| 2000s | Brazil | “Galã” label | Roles in Brazilian TV |
| 2014 – Present | USA (Los Angeles) | Networking/Study | Market Adaptation |
| Recent | Global | International Cast | BitterSweet (Apple TV) |
Breaking the ‘Galã’ Mold
For years, Marmo was known for roles in Globo soap operas. As he notes, that label is part of a “television gear.” With time and maturity, he has explored other possibilities as an actor. The experience acquired over the years has also brought him more life baggage and a different depth.
Marmo’s transition from his previous work to a new production is part of his career evolution. He notes that he had to learn how to position himself and have patience to gain the trust of local professionals.
The Open Door to Brazil
Despite living in the United States for more than a decade, Marmo hasn’t closed the doors to Brazil. He remains open to a return to Brazilian soap operas, provided the project and the team involved are right.
Marmo’s journey is a reflection on the need for dedication, study, and persistence to reinvent oneself in the international market. He views his challenges as fuel for personal and artistic growth.
What do you think? Is the risk of starting over in a foreign market worth it?
