People within AEW said to be frustrated with Tony Khan “refusing” to do production meetings

AEW Production Meeting Concerns Rise after Thunder Rosa Segment

A recent segment featuring Thunder Rosa on AEW Dynamite sparked controversy and raised fresh concerns about teh promotion’s lack of production meetings. During the february 19th, 2025 episode, rosa confronted Megan Bayne and Penelope Ford with a steel chair, but the segment was widely criticized for its awkward execution.

“Thunder Rosa needs to get the hell out of AEW, man… I’m not even saying for her to go to WWE, this woman can literally thrive anywhere else but here. If this wasn’t the case of a forgotten spot, which I hope it was, they just made her look like a chump,” tweeted fan Richie Vargas.

Wrestling journalist Bryan Alvarez, recapping the segment for F4WOnline.com, echoed these sentiments, highlighting the ongoing frustration within AEW regarding the absence of production meetings.

“The bigger story here than this was just such a f*cking disaster is not a week goes by, not one week goes by where I don’t hear from somebody in AEW saying, ‘Why the f*ck don’t we have production meetings? We need production meetings.Things happen on every show where if we had a production meeting, they wouldn’t happen.’ but Tony [Khan] refuses to do production meetings, and here we are. This is another one. What in the f*ck happened here? Nobody knows. I didn’t get a single good description for it. It was just everybody was on a diffrent page, and you made the baby face look like an absolute idiot, and away we go,” Alvarez stated.

This sentiment was further amplified on Twitter,where wrestling journalist AIR (@AIRG0LD) shared alvarez’s comments,noting,“Not a week goes by without someone in AEW asking why they don’t have production meetings. Things happen on every show where, if they had a meeting, they wouldn’t happen…”

Production meetings, a common practice in professional wrestling and entertainment, serve as crucial forums for aligning creative visions, ironing out logistical details, and ensuring smooth execution of segments. Without them, misunderstandings and inconsistencies can arise, perhaps impacting performer performance and audience engagement. The ongoing lack of production meetings in AEW appears to be a recurring issue, leading to frustration among talent and concerns about creative cohesion.

AEW’s continued reluctance to implement regular production meetings raises serious questions about their commitment to organizational efficiency and creative consistency. While individual performers and creative teams may possess remarkable talent, collaborative brainstorming and strategic planning are essential for delivering cohesive and impactful storylines. Addressing this issue is crucial for AEW’s continued growth and success.

How can AEW demonstrate a commitment to organizational efficiency and creative consistency while maintaining the spontaneous nature of their product?

AEW Production Meetings: A Conversation with Creative Consultant, Alex Hart

In the wake of the controversial Thunder Rosa segment on AEW Dynamite, concerns about the promotionS lack of production meetings have resurfaced. Archyde sat down with AEW’s creative consultant, Alex Hart, to discuss the importance of production meetings and their potential impact on AEW’s storytelling.

Alex Hart, thank you for joining us today. Let’s dive right in.Recent segments like Thunder Rosa’s confrontation with Megan Bayne and Penelope Ford have sparked criticism due to their awkward execution. What’s yoru take on these incidents?

“Thanks for having me. I think it’s clear that when segments don’t go as planned, it can reflect poorly on everyone involved. In wrestling, especially in a promotion like AEW with so many talented individuals, it’s crucial to have a cohesive creative vision that’s communicated effectively to all parties.”

production meetings are a common practice in professional wrestling to achieve this cohesion. Why do you think AEW has been reluctant to implement them?

“That’s a great question. I think there are a few factors at play. AEW has always prided itself on its organic,unpredictable nature,and I believe there’s a fear that production meetings might stifle that creativity. Additionally, Tony Khan has publicly stated that he prefers a more fluid, spontaneous approach to storytelling. Though, I think it’s critically important to strike a balance between maintaining that spontaneity and ensuring everyone is on the same page.”

How can production meetings help mitigate issues like the one we saw with Thunder Rosa’s segment?

“Production meetings provide a forum for aligning creative visions,ironing out logistical details,and anticipating potential issues before they arise. If Thunder Rosa, Megan Bayne, Penelope Ford, and the production team had met beforehand to discuss the segment, they could have addressed potential problems, such as ensuring everyone was clear on their roles, the pacing, and the intended outcome.”

You’ve worked in other promotions that use production meetings. How have you seen them benefit the overall product?

“I’ve seen firsthand how production meetings can enhance storytelling, improve performer performance, and increase audience engagement.They foster a collaborative environment where everyone’s ideas are valued, leading to more cohesive and impactful storylines.They also help identify and address potential weaknesses in segments, ensuring that everyone involved is set up for success.”

AEW’s continued reluctance to implement regular production meetings has raised concerns about their commitment to organizational efficiency and creative consistency. How can AEW address these concerns?

“I think it’s important for AEW to acknowledge these concerns and consider how they can evolve their creative process to better serve their talent and audience. That might mean experimenting with different formats for production meetings, or finding ways to maintain the spontaneity that AEW is known for while still ensuring everyone is on the same page. It’s all about finding that balance.”

What’s one thought you’d like to leave our readers with regarding the importance of production meetings in professional wrestling?

“I think it’s essential to remember that wrestling is a collaborative art form.Everyone involved – from the performers to the production team – has a role to play in telling the story. Production meetings are a vital tool for ensuring that everyone is working together towards the same goal. after all, a cohesive, well-executed story is what fans tune in to see, and that’s what we should all be striving for.”