Ranveer Singh has officially kicked off production on Pralay, an ambitious post-apocalyptic survival thriller directed by Jai Mehta, shooting live across Mumbai. Backed by Ananya Birla’s Birla Studios, Hansal Mehta and Sahil Saigal’s True Story Films, and Singh’s own Maa Kasam Films, the project pairs Singh with Malayalam actor Kalyani Priyadarshan for a large-scale, high-stakes cinematic venture.
Here is the kicker for anyone tracking Bollywood’s recent pivot toward high-concept genre cinema: Pralay isn’t just another star vehicle. It represents a massive technical swing, pairing a director known for gritty realism with a top-tier commercial headliner stepping into deep dystopian territory.
The Bottom Line
The Project: Pralay, a post-apocalyptic survival thriller directed by Jai Mehta, has officially begun principal photography in Mumbai as of August 2026.
The Cast & Crew: Headlined and co-produced by Ranveer Singh alongside Malayalam actor Kalyani Priyadarshan.
The Studio Backing: Jointly produced by Ananya Birla’s Birla Studios, True Story Films (Hansal Mehta and Sahil Saigal), and Singh’s Maa Kasam Films.
Inside the Dystopian Vision of ‘Pralay’
Production is underway on the streets of Mumbai, marking a major milestone for a project that has spent several months in intense technical pre-production. Director Jai Mehta, whose previous work includes co-directing Scam 1992: The Harshad Mehta Story with his father Hansal Mehta as well as directing Lootere, is steering the ship. According to reporting by The Hindu, Mehta developed the original screenplay alongside writer Vishal Kapoor.
Earlier industry chatter placed the film in a dystopian Mumbai devastated by a zombie outbreak, though the creative team has kept a tight lid on a detailed official plot synopsis. What we do know is that the scale is immense. Hansal Mehta, producing through True Story Films, previously noted that Singh himself approached Jai Mehta after being deeply impressed by the filmmaker’s prior output. That actor-director alignment has now materialized into a grueling, physically demanding shoot for Singh, hot off his work in the Dhurandhar films.
Production Muscle and Studio Dynamics
The financial and creative architecture behind Pralay signals a shift in how major Hindi cinema gets built. By splitting production duties across three distinct shingles—Ananya Birla’s nascent Birla Studios, True Story Films, and Singh’s Maa Kasam Films—the risk and creative control are shared among fresh and established industry players alike. For Birla Studios, stepping into a technically demanding, large-scale genre piece right out of the gate is a bold statement of intent.

While earlier media speculation tossed around eye-watering figures near ₹300 crore for the budget, those numbers remain unconfirmed by the production houses. But the physical footprint is undeniable. The production shifted its focus toward live locations across Mumbai after earlier industry reports floated plans for international shooting schedules.
| Parameter | Detail |
|---|---|
| Director | Jai Mehta |
| Key Cast | Ranveer Singh, Kalyani Priyadarshan |
| Producers | Birla Studios (Ananya Birla), True Story Films (Hansal Mehta, Sahil Saigal), Maa Kasam Films (Ranveer Singh) |
| Genre | Post-Apocalyptic Survival Thriller |
| Production Hub | Mumbai, India |
What Comes Next for Singh’s Big-Screen Slate
As cameras roll on location in Mumbai, the commercial stakes for Singh are high. Following his extensive run in large-scale action cinema, Pralay pushes the actor into a wholly different atmospheric space—one defined by survivalist grit and apocalyptic dread. With Kalyani Priyadarshan anchoring a pivotal role alongside him, the project broadens its cross-industry appeal by tapping into Malayalam cinema’s dynamic talent pool.
No official release date has been locked in by the producers yet. But as principal photography accelerates, expect the trade to watch closely to see how Jai Mehta translates his knack for taut, gripping storytelling onto a massive canvas. Drop a comment below—are you ready to see Ranveer Singh take on the end of the world, or does dystopian genre fiction need a fresh narrative spin?