Chapel Hill, NC – duo Sylvan Esso has released “WDID,” their inaugural single in three years, and simultaneously declared their withdrawal from the Spotify streaming service. the move, announced today, signals a growing trend of artists reevaluating their relationship with major streaming platforms.
A New Track and a Bold Decision
Table of Contents
- 1. A New Track and a Bold Decision
- 2. The Reasoning Behind Leaving Spotify
- 3. Beyond ‘WDID’: Physical Release & Collaboration
- 4. The Broader Trend of Artist-platform Conflict
- 5. Frequently Asked Questions about Sylvan Esso and Spotify
- 6. How does Sylvan Esso’s decision to leave Spotify align with broader concerns about artist compensation in the music industry?
- 7. Sylvan Esso Exits Spotify, Drops New Single “WDID”
- 8. The Shift Away From Major Streaming Platforms
- 9. “WDID”: A Sonic Exploration & New Direction
- 10. The Impact of artist Departures from Spotify
- 11. Sylvan Esso’s Strategy: Direct Fan Connection
- 12. The Future of Music Streaming & Artist Rights
The song, released on the duo’s newly formed label, Psychic Hotline, marks a significant step in their autonomous artistic journey. “WDID” was recorded at Betty’s, sylvan Esso’s studio in Chapel Hill, North Carolina, with additional production by Jake Luppen, and features visuals crafted by artists Aaron Anderson and Eric Timothy Carlson. the group’s vocalist, Amelia Meath, explores themes of financial insecurity and the commodification of artistry within the track, posing questions like, “What should I do when I lack money?” and “Algorithm only wants my body.”
The Reasoning Behind Leaving Spotify
Members Amelia Meath and Nick Sanborn explained their decision in a press release,stating that as they navigate releasing new music and operating their own label,they must define their boundaries. Their ultimate reason for leaving Spotify focuses around the platform’s financial ties to the defense industry. They expressed their inability to continue supporting a service that “directly finances war machines,” despite acknowledging the lack of ideal solutions.
Sylvan Esso joins a growing list of artists-including King Gizzard and the lizard Wizard, Xiu Xiu, and Deerhof-who have severed ties with Spotify. This exodus stems from concerns regarding Spotify CEO Daniel Ek’s investments in AI arms manufacturer Helsing.
Beyond ‘WDID’: Physical Release & Collaboration
Fans can anticipate a 12-inch physical release of “WDID” on January 9th, accompanied by a B-side titled “Keep On.” This track was developed during a week-long improvisation session with bassist Daniel Aged and drummer Tj Maiani, promising a “loose and hypnotic” soundscape. Pre-orders are currently available.
Earlier this year, Sylvan Esso collaborated with Maggie Rogers on a rendition of “Anthems for a Daughter of Seventeen” for the tribute album, Anthems: a Celebration of the Broken Social scene, You Forgot It Among People.
| Key Detail | Information |
|---|---|
| New Single | “WDID” |
| Label | psychic Hotline (Sylvan Esso’s own label) |
| Spotify Departure Reason | Ethical concerns over investments in the arms industry |
| Physical Release Date | January 9th |
Did You Know? The music industry has seen a surge in artists prioritizing ethical considerations over streaming revenue in recent years, with manny seeking alternative distribution models.
Pro Tip: Explore Bandcamp and other direct-to-fan platforms to directly support artists and bypass major streaming services.
The Broader Trend of Artist-platform Conflict
Sylvan Esso’s decision is part of a larger conversation surrounding artist compensation and ethical responsibility within the music industry. Streaming services have been heavily criticized for their low royalty rates, impacting the financial viability of many musicians. Furthermore, growing scrutiny of the ownership and investment practices of these platforms has fueled debates about their impact on society.according to a 2024 report by the Future of Music Coalition,independent artists receive,on average,less than $0.004 per stream on major platforms.
Frequently Asked Questions about Sylvan Esso and Spotify
- What is Sylvan Esso’s primary reason for leaving Spotify? Their main concern revolves around Spotify’s investment in companies involved in the arms trade.
- What is “WDID”? It is Sylvan Esso’s first new single in three years and is available on their own label, Psychic Hotline.
- Will Sylvan Esso continue to release music? Yes, they plan to continue releasing music on their own terms and through alternative channels.
- What is the B-side to “WDID”? The B-side is called “Keep On” and will be available on the 12-inch physical release.
- Where can I find more information about Sylvan Esso? You can find further information on their official website and social media channels.
- Is this a common trend among artists? Increasingly, yes. Artists are choosing to prioritize their values and financial independence over the reach of major streaming platforms.
- what alternatives are available to support artists? Platforms like Bandcamp, direct artist websites, and purchasing physical copies of music are excellent alternatives.
What are your thoughts on artists leaving major streaming platforms? Do you think this is a viable long-term strategy for musicians? Share your opinion in the comments below!
How does Sylvan Esso’s decision to leave Spotify align with broader concerns about artist compensation in the music industry?
Sylvan Esso Exits Spotify, Drops New Single “WDID”
The Shift Away From Major Streaming Platforms
Indie-pop duo Sylvan Esso – comprised of Amelia Meath and Nick Sanborn – have announced they are removing their music from Spotify, effective instantly. This decision, made public alongside the release of their new single “WDID,” marks a significant stance against the streaming giant’s artist compensation model and broader industry practices.The move follows a growing trend of artists questioning the financial viability of relying heavily on platforms like Spotify, Apple Music, and Amazon Music.
This isn’t a sudden decision. Sylvan Esso has been vocal about their concerns regarding streaming royalties for years, participating in discussions surrounding fair pay for musicians and advocating for alternative revenue streams. Their departure is a direct response to what they perceive as an unsustainable system for autonomous artists. The band detailed their reasoning in a comprehensive statement released on their website, emphasizing the need for a more equitable distribution of revenue within the music industry.
“WDID”: A Sonic Exploration & New Direction
The release of “WDID” (What Did I Do?) serves as a powerful companion piece to their Spotify exit. The track, available on all other major streaming services and for direct purchase, showcases a slightly evolved sound for Sylvan Esso.
Here’s what stands out about “WDID”:
* Experimental Production: Sanborn’s signature electronic production is present, but with a more textured and layered approach. Expect glitchy beats and unexpected sonic flourishes.
* Lyrical Depth: Meath’s lyrics delve into themes of regret, self-reflection, and the complexities of relationships. The song’s title itself poses a compelling question, inviting listeners to contemplate their own actions.
* Genre Blending: While rooted in indie-pop, “WDID” incorporates elements of electronica, art-pop, and even hints of trip-hop, demonstrating the duo’s continued willingness to push creative boundaries.
* Independent Release: The song is released independently,further solidifying their commitment to controlling their own artistic and financial destiny.
Fans of Sylvan Esso’s previous work – albums like Sylvan Esso (2014), What Now (2017), and Free Now (2020) – will recognize the core elements of their sound, but “WDID” signals a willingness to experiment and evolve.
The Impact of artist Departures from Spotify
Sylvan Esso isn’t the first artist to leave Spotify, and they certainly won’t be the last. artists like Neil Young and Joni Mitchell previously removed their catalogs, citing concerns over misinformation and artist compensation. These high-profile departures have sparked a wider conversation about the power dynamics within the music industry.
Key Considerations:
- Revenue Alternatives: Artists leaving Spotify are forced to rely more heavily on alternative revenue streams, including:
* Direct-to-fan sales (Bandcamp, website)
* Touring and live performances
* Merchandise sales
* Licensing for film, television, and advertising
- Fan Engagement: building a strong direct relationship with fans becomes crucial. This involves utilizing email lists, social media, and exclusive content offerings.
- Independent Distribution: Artists need to navigate independent distribution platforms to get their music to listeners outside of Spotify. Services like DistroKid and CD Baby are popular choices.
- The Role of PROs: Performance Rights Organizations (PROs) like ASCAP and BMI continue to play a vital role in collecting royalties for public performances of music, regardless of streaming platform.
Sylvan Esso’s Strategy: Direct Fan Connection
Sylvan Esso’s approach appears to be centered around strengthening their direct connection with fans. Their website features options for purchasing music directly, subscribing to their mailing list, and accessing exclusive content. This strategy allows them to retain a larger percentage of the revenue generated by their music.
Practical Tips for Supporting Artists leaving Spotify:
* Purchase music directly from the artist’s website or Bandcamp.
* Attend their live shows.
* Buy merchandise.
* Subscribe to their mailing list for exclusive updates and content.
* Share their music with friends and family.
* Support platforms that prioritize fair artist compensation.
The Future of Music Streaming & Artist Rights
The debate surrounding music streaming and artist rights is far from over. Sylvan Esso’s decision is a bold statement that is likely to inspire further discussion and potentially encourage other artists to re-evaluate their relationship with major streaming platforms. The long-term impact of these artist departures remains to be seen,but it’s clear that the music industry is at a critical juncture,with artists increasingly demanding a more equitable and sustainable system. the conversation around streaming royalties, artist compensation, and independent music distribution will continue to evolve.
