A modern exhibition at the Hayward Gallery in London presents a striking, if conceptually disjointed, pairing of installation artist Chiharu Shiota and Chinese artist Yin Xiuzhen. The show, which opened this week, features Shiota’s large-scale, immersive works alongside Xiuzhen’s explorations of globalization and cultural displacement.
Shiota’s contribution centers around intricate webs of string, enveloping everyday objects and spaces. One installation features a dozen institutional beds encased in a dense network of cord, intended to be occupied monthly by volunteers as a performance element. Another prominent piece consists of a room-sized tangle of red string adorned with hundreds of antique keys, with a doorway allowing visitors to walk through the installation. A separate work suspends thousands of thank you letters from more red string.
While visually arresting, Shiota’s work has been described as intellectually straightforward, conveying themes of life, death, and connection through impactful, yet relatively simple, imagery. Her previous work gained prominence at the 2015 Venice Biennale.
Xiuzhen’s pieces offer a more focused critique, examining China’s role in the global economy and the impact of rapid industrialization. Her largest installation features a baggage carousel constructed from clothing, with suitcases also made of clothes containing miniature cityscapes. This work visually represents the export of Chinese labor and the dispersal of its products worldwide.
Smaller, more intimate pieces by Xiuzhen include a trunk of clothes created with her mother, encased in concrete – a symbolic preservation and ruin of memory. A video depicts locals attempting to remove frozen water from a polluted river, a futile yet poignant act of environmental remediation.
The exhibition’s combination of these two artists, while visually compelling, lacks a clear thematic throughline. The contrasting approaches – Shiota’s broad, symbolic gestures and Xiuzhen’s specific, socio-political commentary – create a somewhat fragmented experience.
The exhibition comes during a period of increased global disruption. On Monday, February 16, the social media platform X, formerly known as Twitter, experienced two separate outages affecting users worldwide, with over 65,000 users reporting issues, according to LinkedIn’s reporting on breach news. The disruptions, which lasted intermittently until 2 PM ET, raise concerns about the stability of large social media platforms and their vulnerability to attacks, such as distributed denial-of-service (DDoS) attacks.
Elsewhere, a ransomware attack on BridgePay has impacted public and private entities across the U.S., a data breach at Odido exposed the information of over 6.2 million users in the Netherlands, and Google Chrome recorded its first reported zero-day vulnerability of 2026.