September 26, 2025 — Brooklyn, NY – A new performance piece titled ‘anyyywayyy whatever’ is set to premiere at Amant in Brooklyn, offering audiences a thought-provoking exploration of modern disengagement and societal anxieties. The work, conceived by artist Barnett Cohen, merges spoken word with innovative movement, challenging conventional narrative structures in performing arts.

A Unique Approach to Performance Art

barnett Cohen, a Brooklyn resident known for a distinctive style, is presenting a work that defies easy categorization. During a recent rehearsal, Cohen was observed guiding six performers with a gentle, collaborative approach. The artist, dressed in characteristic casual attire, emphasized an open environment where movement and language intertwine.

deconstructing Narrative and embracing Complexity

The performance begins with minimalist gestures before evolving into a dynamic interplay of physical expression and recited text. Performers deliver lines such as “High octane octaves / intrusive thoughts out of hand,” which serve not to propel a linear story, but to create a textured emotional landscape. Cohen has intentionally avoided straightforward interpretation, aiming instead to present a multifaceted experience.

From Poetry to Performance: Cohen’s Artistic Journey

Cohen’s path to performance art is unconventional. Initially aspiring to be both a poet and an actor, their artistic vision converged into what they define as ‘movement art.’ Having studied theater and penned poetry – even publishing a collection alongside Simone Forti – cohen broadened their creative scope to include painting and social activism, founding the Mutual Aid Immigration Network. Early experiments involved reciting extensive written pieces to audiences with eyes closed. Slowly, movement became integrated, leading to showcases at venues like Canal Projects and Judson Memorial Church.

Evolution of ‘anyyywayyy whatever’

The seeds of ‘anyyywayyy whatever’ were first sown in a two-person rendition commissioned by Caterina Zevola for Performissima in Paris in october 2024. The current iteration, debuting at Amant, expands the performance to a full hour and incorporates the talents of four additional performers: Laurel Atwell, Sally Butin, Deja rion, and Fiona Smith.

Confronting Apathy: The Core Message

Cohen states the title, ‘anyyywayyy whatever,’ reflects a deep frustration with the world’s current state.It encapsulates a sense of overwhelm and a tendency to disengage from pressing issues, a sentiment increasingly prevalent in contemporary culture. The work isn’t an attempt to provide solutions,but rather a mirror reflecting a shared experience of detachment.

Collaborative choreography and Design Elements

The creative process involves a close collaboration between Cohen and the performers. Movement phrases evolve through experimentation and adaptation, with Cohen describing it as a process of “throwing things against the wall and seeing what sticks.” The performance will be further enhanced by clothing designed by Melitta Baumeister and lighting by Sarai Frazier, inspired by rave and queer nightlife aesthetics.

key Performance Details

How does the installationS use of interactive technology impact the viewer’s interpretation of the artwork’s message?

Bold Mosaic of Movement and Text: A Review of ‘Anyywayyy Whatever’

Deconstructing the Visual Language

‘Anyywayyy Whatever,’ the latest digital art installation by collective[ArtistCollectiveName-[ArtistCollectiveName-replace wiht actual name], isn’t simply viewed; it’s experienced. The work, currently showcased at[Gallery/Location-[Gallery/Location-replace with actual location], throws conventional notions of digital art into exhilarating disarray. It’s a deliberate collision of kinetic typography, abstract animation, and fragmented imagery, creating a sensory overload that demands – and rewards – sustained attention. The core aesthetic leans heavily into glitch art and data moshing, techniques increasingly popular in contemporary digital art and visual design.

This isn’t about passive observation. The installation actively engages the viewer, responding to movement and sound within the space.This interactive element elevates it beyond a static display, transforming the gallery into a dynamic, breathing surroundings. Key to this responsiveness is the use of[SpecificTechnologyUsed-[SpecificTechnologyUsed-replace with actual tech, e.g., depth sensors, machine learning], allowing the artwork to adapt and evolve in real-time.

the Role of Typography as Texture

Traditionally,typography serves to convey information.In ‘Anyywayyy Whatever,’ text is divorced from its semantic function and repurposed as a purely visual element. Letters stretch, distort, and fragment, becoming building blocks for abstract patterns. This approach echoes the deconstructionist principles explored by artists like[RelevantArtist-[RelevantArtist-e.g.,Barbara Kruger],but with a distinctly digital edge.

* Kinetic typography: The constant motion of the text is hypnotic, drawing the eye across the screen.

* Layered Textures: Multiple layers of text, overlapping and intersecting, create a sense of depth and complexity.

* Color Palette: A limited, yet impactful, color palette of[ListColors-[ListColors-e.g., neon pink, electric blue, stark white]further emphasizes the visual impact of the typography. The use of contrasting colors enhances the feeling of digital disruption.

* Font Choices: The selection of[ListFonts-[ListFonts-e.g., monospace, pixelated fonts]reinforces the digital aesthetic and contributes to the overall sense of fragmentation.

This isn’t simply about making text look different; it’s about questioning its essential purpose and exploring its potential as a purely aesthetic form. The installation challenges viewers to reconsider their relationship with language and visual dialog. Related search terms include: digital typography, kinetic text animation, abstract typography art.

Movement and the Illusion of space

The animation within ‘Anyywayyy Whatever’ isn’t merely decorative. It’s integral to the work’s exploration of space and perception.Fragmented shapes and swirling patterns create an illusion of depth, drawing the viewer into the digital realm. The use of parallax scrolling and simulated 3D effects further enhances this immersive experience.

Consider these elements:

1. Abstract Forms: The animation primarily utilizes abstract forms, avoiding representational imagery. This allows the viewer to project their own interpretations onto the work.
2. Flow and rhythm: The movement is fluid and rhythmic, creating a sense of energy and dynamism.
3. Spatial Distortion: The animation deliberately distorts spatial relationships, creating a disorienting yet captivating effect.
4. Interactive Response: As mentioned, the artwork reacts to viewer movement, altering the animation in real-time. This creates a personalized and engaging experience.

The installation’s success lies in its ability to create a convincing illusion of space within a two-dimensional medium. This is achieved through a masterful manipulation of movement, color, and form. Keywords to consider: digital animation, abstract motion graphics, immersive art installations.

Technical Considerations & Implementation

The technical execution of ‘Anyywayyy Whatever’ is as impressive as its artistic vision. The collective utilized[SoftwareUsed-[SoftwareUsed-e.g.,TouchDesigner,Processing]to create the interactive elements and animation.The projection mapping onto the gallery walls is seamless, creating a truly immersive environment.

A key challenge in creating this installation was managing the computational demands of real

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