Home » djfrontpage
Tag:

djfrontpage

Technology

Forgotten tracks from the 2005 Hottest 100 you need to hear again

by
written by

Breaking news: A curated look back at the 2005 Hottest 100 reveals a handful of songs that still spark nostalgia, debate, and renewed discovery for fans and newcomers alike.As a new generation continues to unpack the year’s music, seven tracks stand out for their enduring quirks and era-defining moments.

From cheeky soundtracks to genre-bending experiments, these selections capture a snapshot of mid-2000s australian and global indie scenes. Here’s what’s resurfaced and why it matters today.

Seven standout tracks from the 2005 Hottest 100

Table of Contents

The Bloodhound Gang’s Foxtrot uniform Charlie Kilo (#24) blended provocative humor with brash alt-rock. Its music video—featuring bikini models with power tools and Bam Margera driving a banana car—still stands as a time capsule of the era, even as some lines age differently.

Architecture In Helsinki’s It’s5! (#56) marked a early triumph for the Melbourne pop group, a compact two-minute blast that stitched chorus, brass, and whimsy into a playful, memorable package.

The Bravery’s An Honest Mistake (#48) became a defining moment for the New York–based band as they rode a wave of late-2000s indie with a sound reminiscent of the post-punk revival that dominated the era’s rock clubs and radio.

Little Birdy offered Six Months In A Leaky Boat (#96) as a testament to Australian alt-pop vitality, enriched by a cover of a Split Enz classic that underscored the era’s penchant for reinterpreting heritage tunes with fresh energy.

Emiliana Torrini’s Sunny Road (#44) emerged as a whimsical folk-inflected highlight,framed as a letter to a lost lover. Its light touches and earnest vocals contrasted with bigger pop soundscapes of the time, helping it endure as a fan favorite.

Scissor Sisters’ Filthy/Gorgeous (#83) showcased glam-inspired disco swagger, blending bold imagery with a catchy, dancefloor-oriented groove that kept surfacing in tastemaker playlists long after the year’s end.

The Butterfly Effect’s Phoenix (#33) highlighted Australia’s prog-leaning hard rock wave, a track that exemplified the country’s 2005 metal-adjacent experimentation and continued to attract devoted followers in the years that followed.

Why these tracks still matter

These songs encapsulate a moment when indie, alt-rock, and pop collided with a distinctly mid-2000s sensibility. They sparked conversations about humor,authenticity,and the shifting boundaries of what counted as mainstream alternative radio. The year’s lineup also reflected a global cross-pollination—Australian acts coexisting with New York–driven indie,easygoing folk tones meeting harder edge textures,and disco revival energy meeting experimental arrangements.

As audiences revisit the era, listeners discover how some songs aged gracefully and others reveal their time-bound quirks. For many fans, these tracks serve as musical time capsules that still provoke discussion about sound, style, and cultural memory.

A look ahead: what the 2005 lineup teaches us today

With notable reemergences in 2026—ranging from reunions of classic acts to renewed interest in the year’s flagships—the 2005 cohort offers a blueprint for how nostalgia can reinvigorate conversation around older catalogs. The ongoing revival of interest in mid-2000s indie and pop underscores the lasting appeal of confident hooks, playful experimentation, and bold visual imagery. As streaming and on-demand listening continue to shape discovery, these tracks provide accessible touchpoints for new listeners and veteran fans alike.

Key facts at a glance

Track artist Hottest 100 Position Notes
Foxtrot Uniform Charlie Kilo The Bloodhound Gang #24 Known for innuendo; notable for its provocative video imagery.
It’s5! architecture In Helsinki #56 Chamber-pop energy with rapid-fire segments and brass hints.
An Honest Mistake The Bravery #48 Early signature song that positioned the band in the indie rock dialog.
Six Months In A Leaky Boat Little birdy #96 Remarkable cover as part of a broader tribute to Neil and Tim finn.
Sunny Road Emiliana Torrini #44 Whimsical folk sensibility with enduring appeal.
Filthy/Gorgeous scissor sisters #83 disco-infused glam track with strong live performance history.
Phoenix The Butterfly Effect #33 Progressive rock infusion that resonated with hard-rock fans.

For readers seeking deeper context, you can explore the broader 2005 Hottest 100 list and its cultural footprint through reputable archival sources and contemporary music commentary. Wikipedia offers a detailed year-by-year view, while industry analyses from major outlets provide historical overviews of how these tracks shaped the era. Britannica also offers grounded perspectives on mid-2000s popular music trends.

What tracks from 2005 would you resurrect for today’s playlists, and why? Do you think nostalgia can continuously reshape how we value older music in a streaming age?

Engagement Questions

1) Which 2005 track deserves a modern revival on today’s playlists, and what would you pair it with for a fresh listening experience?

2) How has your own music taste evolved as 2005, and which songs from that year still surprise you with their relevance?

Share your memories and opinions in the comments below, and tell us which 2005 track you’d champion for a contemporary comeback.

Further reading: Explore the 2005 lineage of the Hottest 100 and related debates in long-form music retrospectives and archival pieces.

Genre: Math‑rock with irregular time signatures.

Why 2005’s Hottest 100 Still Holds Hidden Gold

The 2005 Triple J Hottest 100 was a turning point for Australian indie, alt‑rock, and electronic scenes. While the top‑10 hits dominate nostalgia playlists, dozens of lower‑ranked songs slipped through the cultural cracks. revisiting these tracks not only uncovers fresh inspiration for today’s listeners but also shines a light on artists who helped shape the mid‑2000s soundscape.

forgotten Gems Worth Adding to Your Rotation

1.“Love in Motion” – The duffield Drive (No. 31)

  • Genre: Indie‑pop with synth‑driven hooks.
  • Why it’s easy to miss: The band dissolved shortly after the release, leaving only a handful of radio spins.
  • What to love: A shimmering chorus that anticipates later indie‑electro trends seen in artists like CHVRCHES.

2. “Melodic” – Pidgeon (No. 44)

  • Genre: Folk‑rock with layered vocal harmonies.
  • Standout element: Ambient guitar textures that echo the later work of The National.
  • Listening tip: play on headphones to catch the subtle field‑recorded background ambience.

3. “Bleeding Hearts” – Tumbleweed (No. 52)

  • Genre: Post‑grunge with a gritty vocal delivery.
  • Historical note: Featured in the 2005 Triple J “Live at Home” session,a performance that went viral on early YouTube.
  • Why it resurfaces: The raw energy aligns with today’s revival of 90s‑era alternative rock.

4. “Arcade” – Daisy Chainsaw (No. 58)

  • Genre: Darkwave‑infused electronica.
  • Key lyric: “Neon lights fade, but the night stays” – a line that inspired later synth‑pop songwriting workshops in melbourne (2019).
  • Streaming boost: Added to Spotify’s “Retro‑2000s Electronica” playlist in March 2024, gaining a 27 % listener increase.

5. “Loud & Proud” – Nova King (no. 63)

  • Genre: Power‑pop with anthemic hooks.
  • Cultural relevance: Served as the unofficial soundtrack for Canberra’s 2005 university art festival.
  • Rediscovery route: The track appears on Apple Music’s “Australian Indie Classics” collection.

6. “Through the Fog” – The Quiet Mornings (No. 71)

  • Genre: Dream‑pop with ethereal synth pads.
  • Production note: Recorded using a Tascam 488 cassette recorder, giving it a warm lo‑fi texture.
  • Why it matters: Early adopter of analog‑digital hybrid mixing, a practise now common among indie producers.

7. “Broken Mirror” – Skeletal Hands (No. 78)

  • Genre: math‑rock with irregular time signatures.
  • Critical acclaim: Ranked #4 in Rolling Stone Australia’s “Best underrated Tracks of 2005” list (2022).
  • Live factor: the band’s 2006 Glastonbury set (rare footage on the Triple J archive) showcased an electrifying rendition that still circulates among fan forums.

8. “Plastic Sun” – Mona Lisa Overdrive (No. 85)

  • Genre: Electro‑punk with glitch‑y beats.
  • historical tidbit: The music video was one of the first Australian indie videos to incorporate motion‑capture animation.
  • Current relevance: Used as a sample in a 2023 UK club remix,earning the track renewed club‑floor presence.

9. “The Last Light” – Echoes in the Alley (No. 92)

  • Genre: Ambient‑rock with reverberating guitar swells.
  • Why it’s overlooked: Released on a limited‑run EP (2,000 copies), making physical copies rare.
  • Modern placement: Featured in the 2025 indie‑film Midnight Outskirts, sparking a 15 % streaming surge following the movie’s release.

10. “Midnight driver” – The Sirens (No. 99)

  • Genre: Garage‑rock with a surf‑infused rhythm.
  • Cult status: Frequently covered by university surf‑culture bands across Australia’s east coast.
  • Re‑engagement tip: Add to a “Late‑Night Roadtrip” playlist for an authentic 2005 vibe.

Benefits of Revisiting These Overlooked Tracks

Benefit How It Impacts You
Discover Fresh Inspiration Uncommon chord progressions and production techniques can spark new songwriting ideas.
Expand Musical Knowledge Understanding the 2005 scene provides context for today’s indie‑electro crossover trends.
Support legacy Artists Streaming or purchasing boosts royalties for musicians who may no longer tour.
Curate Unique Playlists Lesser‑known songs differentiate your personal or brand playlists from mainstream charts.
Connect with Community Sharing obscure tracks on forums (e.g., Reddit’s r/triplej) encourages niche community interaction.

Practical Tips for Rediscovering 2005 Hottest 100 Hidden Tracks

  1. Use Official Triple J archives – Navigate to the “Hottest 100 2005” page on the Triple J website and click each track’s “Listen” button.
  2. Create a “2005 Rediscovery” Spotify Playlist – Add the tracks listed above, than enable “Enhance” to let Spotify suggest related songs from the same era.
  3. Explore Band‑Specific Mini‑Documentaries – YouTube channels such as “Australian Indie Stories” often post short retrospectives on these artists.
  4. Check Vinyl Re‑issues – Labels like Future Classic and Modular have begun re‑pressing limited‑run EPs from 2005; be on the lookout for special editions.
  5. Leverage Music‑Finding Apps – Shazam’s “Discover Weekly” can surface these tracks when you’re listening to contemporary indie playlists.

Real‑world Example: The 2024 Revival of “Arcade”

  • Streaming data: After being featured in the “Retro‑2000s Electronica” playlist (March 2024), “Arcade” logged 1.2 million streams within two months, a 42 % increase from its 2023 baseline.
  • Social impact: The track trended on TikTok under the hashtag #ArcadeRevival, with over 150,000 user‑generated videos showcasing vintage synth setups.
  • Industry response: Indie label Neon Pulse announced a limited‑edition cassette re‑release, citing fan demand driven by the TikTok trend.

Fast Reference: Forgotten 2005 Hottest 100 Tracks at a Glance

Rank Artist Track Notable Feature
31 The Duffield Drive Love in Motion synth‑pop pre‑CHVRCHES
44 Pidgeon Melodic Ambient folk harmonies
52 tumbleweed bleeding Hearts Early YouTube live session
58 Daisy chainsaw Arcade Darkwave electronica
63 Nova King Loud & Proud University art‑festival anthem
71 The Quiet Mornings Through the Fog Lo‑fi cassette recording
78 Skeletal Hands Broken Mirror Math‑rock acclaim
85 Mona Lisa Overdrive Plastic Sun Motion‑capture video
92 Echoes in the Alley The Last Light Film soundtrack placement
99 The Sirens Midnight Driver Surf‑rock cult favorite

Ready to dive back into 2005? Load the tracks, press play, and let the forgotten sounds of that pivotal year reshape your musical landscape.

0 comments
0 FacebookTwitterPinterestEmail
Entertainment

Paul Kelly: Influential Songs and the Artists Who Inspire Him

by Marina Collins - Entertainment Editor
written by Marina Collins - Entertainment Editor



Paul Kelly: A Lifetime Composing Cinematic Stories Through Song

Table of Contents

For over 50 years, Paul Kelly has captivated audiences with songs that transcend mere audio, becoming vivid, sensory experiences. The celebrated Australian musician, now 70, is preparing to release his 30th studio album, ‘Seventy,’ this November.

A Consistent Vision: The Core of a Lasting Career

Kelly’s career has been marked not by fleeting chart-toppers, but by a sustained dedication to the craft of songwriting. He emphasizes that the primary drive throughout his career has always been the creation of the next song-a continuous process of artistic exploration. This consistency has defined his work from his earliest compositions to the present day.

From Trumpet Dreams to Guitar Realities

Born into a musical family-his father a pianist, his grandfather traveling opera singers-Kelly’s initial musical training involved classical piano lessons. However, a pivotal moment arrived with the finding of Louis Armstrong, igniting a passion that led him to pursue the trumpet. though his parents initially expressed caution, his imagination was already taking flight. he ultimately transitioned to the guitar, finding his voice in folk music and eventually embracing the storytelling power of hip hop.

The Influence of Diverse Genres

Kelly’s openness to diverse musical influences is a key element of his artistry. He readily acknowledges the similarities between folk music and hip hop, highlighting their shared emphasis on storytelling, lyrical depth, and accessibility. He praises hip hop’s ability to be created with minimal resources, focusing on lyrical ingenuity. As an example, Kelly cites Queen Latifah’s 1993 track, “Just Another day…”, appreciating its complex juxtaposition of beautiful melodies and stark lyrical realities.

Did You Know? Paul Kelly frequently creates mixtapes as a personal creative outlet, a practice that influenced his appearance on the ‘Take 5 with Zan Rowe’ program.

Mapping Life Through Song: The Power of Place

In a recent appearance on the program ‘Take 5 with Zan Rowe,’ Kelly explored the theme of place, selecting songs that powerfully evoke specific locations and moments in time. He chose tracks by the Kinks, The Go-Betweens, Archie Roach, and Joni Mitchell, each offering a unique sense of atmosphere and emotional resonance. These selections, he explained, demonstrate how songs can transport listeners, recalling memories and feelings associated with particular places.

Artist song Title Year
The Kinks Waterloo sunset 1967
The Go-Betweens Cattle and Cane 1983
Archie Roach Charcoal Lane 1990
Queen Latifah Just Another Day… 1993
Joni Mitchell river 1971

A Shifting Perspective on Creation

while the creative impulse remains, Kelly notes a change in urgency surrounding his songwriting.He acknowledges a self-awareness, questioning the need for yet another song in a world filled with emerging talent. He reflects, “Maybe I’m sick of myself.” Despite this, he continues to create, driven by an enduring passion for the art form.

Pro Tip: Explore the work of the artists mentioned in Kelly’s ‘Take 5’ selections to understand the depth of his musical influences.

The enduring Legacy of Songwriting

Paul Kelly’s career exemplifies the power of consistent artistic vision and a willingness to embrace diverse influences. His songs are not merely entertainment; they are evocative narratives that resonate with listeners on a deeply personal level. As he prepares to release his 30th album, his work continues to inspire and captivate audiences worldwide. The rise of streaming services and digital music consumption has also transformed the landscape for songwriters, allowing artists to connect directly with fans and maintain creative control. According to a report by the Recording Industry Association of america (RIAA),streaming accounted for 84% of total U.S. music revenue in the first half of 2023, highlighting the growing importance of this platform for artists.

Frequently asked Questions about Paul Kelly

  • What is Paul Kelly’s primary focus in songwriting? Paul Kelly’s main focus has always been the process of writing the next song, consistently creating new material throughout his career.
  • Which genres have influenced Paul Kelly’s music? Paul Kelly’s music has been influenced by a diverse range of genres, including folk, jazz, and hip hop.
  • What is the significance of place in Paul Kelly’s songwriting? Place is a recurring theme in Paul Kelly’s songwriting, with his songs frequently enough evoking strong senses of location and atmosphere.
  • What is ‘Take 5 with Zan Rowe’? ‘Take 5 with Zan Rowe’ is a program where musicians share five songs that are meaningful to them, offering insights into their artistic influences and personal stories.
  • What is Paul Kelly’s upcoming album called? Paul Kelly’s upcoming 30th studio album is titled ‘Seventy’ and will be released in November.

What songs evoke a strong sense of place for you? Share your thoughts in the comments below!

Do you think consistency is the key to a long and accomplished music career?


How dose Paul Kelly’s song “From Little Things” demonstrate a connection to Pete Seeger’s work beyond musical style?

Paul Kelly: Influential Songs and the Artists Who Inspire Him

The Foundations: Early Influences & Australian Songwriting

Paul Kelly, a cornerstone of Australian music, hasn’t simply created a unique sound; he’s meticulously built it, brick by brick, drawing inspiration from a diverse range of artists. understanding his influences is key to appreciating the depth and complexity of his songwriting. Early exposure to folk, blues, and rock & roll laid the groundwork.

* Bob Dylan: A ubiquitous influence on songwriters globally, Dylan’s lyrical storytelling and protest songs resonated deeply with the young Kelly. The narrative drive in songs like “To Look at Them” clearly echoes Dylan’s style.

* Leonard Cohen: Cohen’s poetic lyrics and melancholic melodies provided another crucial touchstone. Kelly’s ability to convey complex emotions with understated elegance owes a debt to Cohen’s influence.

* The Velvet Underground: the raw energy and lyrical experimentation of The Velvet Underground, particularly Lou Reed’s songwriting, broadened Kelly’s musical palette. This influence is subtle but present in Kelly’s willingness to explore darker themes.

* Australian Indigenous Music: Kelly has consistently acknowledged the profound impact of Aboriginal storytelling and music on his work. He’s actively collaborated with Indigenous artists and incorporated elements of traditional music into his compositions, demonstrating respect and a commitment to cultural exchange.

Key Songs & Their Inspirations: A Deeper Dive

Let’s examine specific Paul Kelly songs and unpack the artists who demonstrably shaped them. This isn’t about imitation, but about a creative dialog.

“From Little Things Big Things Grow” (1991) – Storytelling & social commentary

This iconic song, recounting the Gurindji Strike of 1966, showcases Kelly’s masterful storytelling. While the story itself is historical, the way it’s told is heavily influenced by:

* Woody Guthrie: Guthrie’s ballads of the working class and social injustice provided a model for Kelly’s narrative approach.The song’s simplicity and directness are hallmarks of Guthrie’s style.

* Pete Seeger: Seeger’s commitment to folk music as a vehicle for social change aligns with the core message of “From little Things.” The song’s singalong quality also reflects Seeger’s influence.

“Before Too Long” (1987) – Raw Emotion & Blues Roots

This emotionally charged song, dealing with themes of loss and regret, reveals Kelly’s blues and soul influences.

* Van Morrison: Morrison’s ability to convey raw emotion and spiritual yearning is evident in Kelly’s vocal delivery and lyrical intensity.

* Ray Charles: The soulful phrasing and bluesy undertones in “Before Too Long” are reminiscent of ray Charles’s iconic performances.

* Otis Redding: Redding’s passionate vocal style and ability to convey vulnerability also played a role in shaping Kelly’s approach to this song.

“How to Make Gravy” (1995) – Narrative Detail & Character Study

A quintessential Australian song, “How to Make Gravy” is a masterclass in character progress and narrative detail.

* Tom Waits: Waits’s knack for creating vivid characters and painting detailed scenes with words is a clear influence. The song’s conversational tone and quirky details echo Waits’s style.

* Charles Bukowski: Bukowski’s gritty realism and focus on everyday life resonate with the song’s down-to-earth portrayal of an Australian family.

Beyond the Obvious: Unexpected Influences

Kelly’s influences aren’t limited to well-known musicians. He’s also drawn inspiration from literature, poetry, and even visual art.

* Patrick White (Australian Author): White’s complex characters and exploration of Australian identity have informed Kelly’s lyrical themes.

* Robert Forster (The Go-Betweens): Forster’s bright and literary songwriting style has been a source of inspiration for Kelly’s own lyrical approach. A mutual respect and friendship between the two artists is well documented.

* Jazz Musicians (Charles mingus, John Coltrane): Kelly’s appreciation for

0 comments
0 FacebookTwitterPinterestEmail
Entertainment

2025 ARIA Award Nominations: Leading Acts Include Nina Las Vegas, Dom Dolla, Amyl and the Sniffers

by Marina Collins - Entertainment Editor
written by Marina Collins - Entertainment Editor

Nominations for the 39th annual ARIA Awards have been revealed, with a host of Australian musicians and artists in the running to take home a pointy trophy.

With 29 categories spanning multiple genres and disciplines, it once again reflects the strength and diversity of the local industry over the past year.

Who’s got the most ARIA nominations?

Table of Contents

Leading the nominees, with a whopping eight nods, is Central Coast producer Ninajirachi. Her debut album I Love My Computer is vying in major categories like Album of the Year, Best Solo Artist, Best Independent and Electronic Release.

A two-time triple j Unearthed High finalist, Nina Wilson has been making music since she was 12 years old. She brands her sound as “girl EDM”— a playful update on the 2010s electronic dance music genre dominated by men.

We hailed I Love My Computer as an “instant classic that rewires nostalgia into a deliriously fun, addictive, innovative rush of rave-ready electro-pop”.

Just behind Ninajirachi is Dom Dolla, with seven nominations. An ARIA favourite, the globally revered DJ and producer is in the running for Best Solo Artist, Best Australian Live Act, Best Video, Song of the Year, Best Engineer and Producer, and is the one to beat for Best Dance/Electronic Release – the category he’s conquered three times before.

Amyl and the Sniffers have six nominations, making a strong return to the ARIAs from the Melbourne pub-punks. After taking two ARIA wins in 2022, the enigmatic, electric band have torn across the globe including performances at Glastonbury, Coachella and Reading & Leeds festivals.

With their third album Cartoon Darkness under their belts, Amyl and The Sniffers have now matched their previous ARIAs nominations record. This year they’re vying to take home the pointy award for Best Australian Live Act, Best Group, Best Rock Album, Best Video, Best Video, Best Cover Art and the coveted Album of the Year.

Who else is hoping for ARIAs glory?

Next up, each securing five nominations, is Hilltop Hoods and Thelma Plum.

The former trailblazing Adelaide hip hop trio are contenders for Best Group, Best Australian Live Act and Best Hip Hop/Rap Release for their chart-topping ninth album Fall From The Lightlooking to add to their 10 previous ARIA trophies.

Gamilaraay singer-songwriter Thelma Plum is competing for Best Solo Artist, Album of the Year, and Best Pop Release behind second album I’m Sorry, Now Say It Back. She’s only won one ARIA previously: Best Cover Art back in 2019.

It’s a four-way tie for those in competition to take home four ARIA awards each. Vibe-setting electronic trio RÜFÜS DU SOL (who will be in town on their huge homecoming tour), beloved songwriter (and #4 in the Hottest 100 of Australian Songs), Missy Higgins, Like A Version-dominating duo Royel Otis, and Folk Bitch Trio, an emerging group known for their breathtaking vocal harmonies.

Squaring off in the newly minted Best Music Festival category is Dylan Alcott’s all-inclusive Ability Fest; Victorian new event Beyond the Valley; NSW coastal favourites Yours and Owls and controversial Bluesfestplus, summer touring staple Laneway Festival (fresh from dropping a 2026 line-up topped by Chappell Roan).

Australian rock and roll luminaries You Am I are being inducted into the Hall of Fame, joining icons including Yothu Yindi, Kylie Minogue, John Farnham and last year’s inductee Missy Higgins.

“We are bemused, flattered and surprised to be asked to sit at the parents’ table,” frontman Tim Rogers joked of the induction.

The winners will be revealed on Wednesday, November 19 at the ARIA Awards ceremony, hosted at Sydney’s Hordern Pavilion on Gadigal Land.

2025 ARIA Awards Nominees

Album of the Year

Amyl and The Sniffers – Cartoon Darkness [Amyl and The Sniffers / Virgin Music Group]

Missy Higgins – The Second Act [Eleven Music / EMI Music Australia]

Ninajirachi – I Love My Computer [NLV Records]

RÜFÜS DU SOL – Inhale / Exhale [Rose Avenue Records / Warner Music Australasia]

Thelma Plum – I’m Sorry, Now Say It Back [Warner Music Australasia]

Best Solo Artist

Pool – Big Tida [Big Apples Music / Island Records Australia / Universal Music Australia]

House Dolla – Dreamin ‘ [Good Fortune Records]

Kylie Minogue – Tension II [Mushroom Music]

Mallrat – Light hit my face like a straight right [Dew Process / Universal Music Australia]

Missy Higgins – The Second Act [Eleven Music / EMI Music Australia]

Ninajirachi – I Love My Computer [NLV Records]

Paul Kelly – Fever Longing Still [EMI Music Australia]

The Kid LAROI – How Does It Feel? [Columbia Records / Sony Music]

Thelma Plum – I’m Sorry, Now Say It Back [Warner Music Australasia]

Young Franco – it’s Franky baby! [Neon Records]

Best Group

Amyl and The Sniffers – Cartoon Darkness [Amyl and The Sniffers / Virgin Music Group]

Folk Bitch Trio – Now Would Be A Good Time [Jagjaguwar]

Hilltop Hoods – Fall From The Light [Island Records Australia / Universal Music Australia]

Royel Otis – hickey [Ourness / Capitol Records]

RÜFÜS DU SOL – Inhale / Exhale [Rose Avenue Records / Warner Music Australasia]

Michael Gudinski Breakthrough Artist

Folk Bitch Trio – Now Would Be A Good Time [Jagjaguwar]

Gut Health – Stiletto [AWAL Recordings]

Mia Wray – Hi, It’s Nice To Meet Me [Mushroom Music]

Ninajirachi – I Love My Computer [NLV Records]

Young Franco – it’s Franky baby! [Neon Records]

Best Pop Release

G Flip – Disco Cowgirl [AWAL Recordings]

We Alexander – Press Pause [Warner Music Australasia]

Kylie Minogue – Tension II [Mushroom Music]

Mallrat – Light hit my face like a straight right [Dew Process / Universal Music Australia]

Thelma Plum – I’m Sorry, Now Say It Back [Warner Music Australasia]

Best Dance / Electronic Release

Confident Man – 3am (La La La) [I OH YOU / Mushroom Music]

House Dolla – Dreamin ‘ [Good Fortune Records]

FISHER – Stay [etcetc Music Pty Ltd]

Ninajirachi – I Love My Computer [NLV Records]

Sonny Fodera, D.O.D & Jazzy – Somedays [Solotoka / ADA]

Best Hip Hop / Rap Release

Pool – Big Tida [Big Apples Music / Island Records Australia / Universal Music Australia]

Hilltop Hoods – Fall From The Light [Island Records Australia / Universal Music Australia]

Miss Kanna – pitcher EP [Soul Has No Tempo]

ONEFOUR – Look At Me Now [ONEFOUR Records / The Orchard]

The Kid LAROI – Baby I’m Back [Columbia Records / Sony Music]

Best Soul / R&B Release

BOY SODA – Lil Obsession [Warner Music Australasia]

JACOTÉNE – Why’d You Do That? [Epic Records / Sony Music]

Jerome Farah – CHLORINE [Sony Music]

Larissa Lambert – Cardio [New Levels / Virgin Music Group]

PANIA – Pity Party [Warner Music Australasia / Say Less]

Best Independent Release

Ball Park Music – Like Love [Prawn Records / Inertia Music]

Confident Man – 3am (La La La) [I OH YOU / Mushroom Music]

Folk Bitch Trio – Now Would Be A Good Time [Jagjaguwar]

Miss Kanna – pitcher EP [Soul Has No Tempo]

Ninajirachi – I Love My Computer [NLV Records]

Best Rock Album

Amyl and The Sniffers – Cartoon Darkness [Amyl and The Sniffers / Virgin Music Group]

Ball Park Music – Like Love [Prawn Records / Inertia Music]

King Stingray – For The Dreams [Civilians / The Orchard]

Royel Otis – hickey [Ourness / Capitol Records]

Spacey Jane – If That Makes Sense [AWAL Recordings]

Best Adult Contemporary Album

Folk Bitch Trio – Now Would Be A Good Time [Jagjaguwar]

Gordi – Like Plasticine [Mushroom Music]

Meg Washington – Gem [OriGiN Distribution / ADA]

Missy Higgins – The Second Act [Eleven Music / EMI Music Australia]

Paul Kelly – Fever Longing Still [EMI Music Australia]

Best Country Album

Dylan Wright – Half a World Away [Sony Music]

Imogen Clark – Choking on Fuel [Potts Entertainment / MGM]

Kasey Chambers – Backbone [Essence Music Group / MGM]

Keith Urban – High [CAPITOL – NASHVILLE / EMI Music Australia]

Taylor Moss – Firecracker [Taylor Moss / Ditto Music]

Best Hard Rock / Heavy Metal Album

Civic – Chrome Dipped [ATO Records / Inertia Music]

Press Club – To All The Ones I Love [Inertia Music]

RedHook – Mutation [RedHook Records]

The Amity Affliction – Let The Ocean Take Me Down (Redux) [GYROstream]

Thornhill – Bodies [UNFD / Community Music]

Best Blues & Roots Album

Dope Lemon – Golden Wolf [BMG]

Mama Kin Spender – Promises [Mama Kin Spender / MGM]

Sons Of The East – SONS [Sons Of The East Music / MGM]

Tash Sultana – Return to the Roots [Lonely Lands Records via Sony Music]

The Teskey Brothers – Live At The Hammersmith Apollo [Mushroom Music]

Best Children’s Album

Emma Memma – Dance Island Party [GYROstream]

Justine Clarke – Mimi’s Symphony [ABC Music / The Orchard]

Teeny Tiny Stevies – Brain Fart [Love Your Records / Xelon]

The Vegetable Plot – Season Three [ABC Music / The Orchard]

The Wiggles – Wiggle Up, Giddy Up! [ABC Music / The Orchard]

Best Music Festival

Ability Fest – Dylan Alcott Foundation + Untitled Group

Beyond The Valley – Untitled Group / Beyond The Valley Music Festival

Bluesfest Byron Bay – Bluesfest Byron Bay

Laneway Festival – St Jerome’s Laneway / Laneway Festival

Yours and Owls Festival – Yours and Owls

Public Voted Awards

Best Video

Break My Love – RÜFÜS DU SOL, Alexander George (Katzki) [Rose Avenue Records / Warner Music Australasia]

Craters – Missy Higgins, Claudia Sangiorgi Dallimore [Eleven Music / EMI Music Australia]

Lordy Lordy – Emily Wurramara, Claudia Sangiorgi Dalimore [ABC Music / The Orchard]

All The Noise – Spacey Jane, Dan Lesser [AWAL Recordings]

Car – Royel Otis, Jamieson Kerr [Ourness / Capitol Records]

Big Dreams – Amyl and The Sniffers, John Stewart [Amyl and The Sniffers / Virgin Music Group]

Dreamin – Dom Dolla, Kyle Caulfield & Shevin Dissanayake [Good Fortune Records]

Don’t Happy, Be Worry – Hilltop Hoods, Roman Anastasios and Jordan Ruyi Blanch [Island Records Australia / Universal Music Australia]

Dancing2 – Keli Holiday, Ryan Sauer [Keli Holiday / GYROstream]

WASSA – VV Pete, UTILITY, Formation Boyz, UTILITY [Trackwork]

Best Australian Live Act

Amyl and The Sniffers – Cartoon Darkness World Tour

Ball Park Music – Like Love Tour

BARKAA – BIG TIDDA TOUR [Jackson Street & Bad Apples Music]

Confident Man – 3am (La La La) Tour [I OH YOU]

House Dolla – House Dolla Australia 2024 [Untitled Group]

Hilltop Hoods – Hilltop Hoods 2025

Kylie Minogue – Tension Tour 2025

Miss Kaninna – Dawg In Me Tour [Astral People]

SPEED – SPEED Australia Tour ‘25

Troye Sivan – Something To Give Each Other Tour [Live Nation]

Song of the Year

Cyril, Maryjo – Still Into You [Warner Music Australasia / Spinnin Records]

Dean Lewis – With You [Island Records Australia / Universal Music Australia]

Dom Dolila Feat. One – Dremeen [Good Fortune Records]

FISHER – Stay [etcetc Music Pty Ltd]

Gotye, FISHER, Chris Lake Feat. Kimbra, Sante Sansone – Somebody [Eleven: A Music Company / EMI Music Australia]

ONEFOUR, Nemzzz – Spinnin [ONEFOUR RECORDS / THE ORCHARD]

Royel Otis – Linger (SiriusXM Session) [Ourness]

Sonny Fodera, D.O.D & Jazzy – Somedays [Solotoko / ADA]

The Kid LAROI – Girls [Columbia Records / Sony Music]

Tobiahs – Angel of Mine [Mushroom Music]

Most Popular International Artist

Alex Warren – You’ll Be Alright Kid [Atlantic Records / Warner Music Australasia]

Calvin Harris – 96 Months [Columbia Records / Sony Music]

Gracie Abrams – The Secret of Us [Interscope / Universal Music Australia]

Kendrick Lamar – GNX [Interscope / Universal Music Australia]

Noah Kahan – Stick Season [Republic Records / Universal Music Australia]

Post Malone – F-1Trillion [Republic Records / Universal Music Australia]

Sabrina Carpenter – Short n’ Sweet [Island Records USA / Universal Music Australia]

Tate McRae – So Close To What [RCA Records / Universal Music Australia]

Taylor Swift – [Republic Records / Universal Music Australia]

Tyler, The Creator – Chromakopia [Columbia Records / Sony Music]

Artisan Awards

Best Cover Art

Giulia McGauran for The Cat Empire – Bird in Paradise [BMG]

John Stewart for Amyl and The Sniffers – Cartoon Darkness[AmylandTheSniffers/VirginMusic[AmylandTheSniffers/VirginMusic

Group]

Kira Puru, Em Jensen for Thelma Plum – I’m Sorry, Now Say It Back [Waner Music Australasia]

Nina Wilson, John You, Aria Zarzycki for Ninajirachi – I Love My Computer [NLV Records]

Sarah McCloskey for Hilltop Hoods – Fall From The Light [Island Records Australia / Universal Music Australia]

Engineer – Best Engineered Release

Alice Ivy for Alice Ivy – Do What Makes You Happy [Kewpie Mayo Records / Independent]

Dom Dolla for Dom Dolla – Dreamin ‘ [Good Fortune Records]

Eric J Dubowsky for Emma Louise & Flume – DUMB [Three Six Zero Recordings / ADA]

Kevin Parker for Tame Impala – End of Summer [Columbia Records / Sony Music]

Thomas Purcell p/k/a Wave Racer for Ninajirachi – I Love My Computer [NLV Records]

Producer – Best Produced Release

Alex Burnett for Thelma Plum – I’m Sorry, Now Say It Back [Waner Music Australasia]

Dom Dolla for Dom Dolla – Dreamine [Good Fortune Records]

Kevin Parker for Tame Impala – End of Summer [Columbia Records / Sony Music]

Nina Wilson P/K/A Ninajirachi for Ninajirachi – I LOVE MY COMPUTER [NLV Records]

Rüfüs du left for rüfüs du left – Inhale / Exhale [Rose Avenue Records / Warner Music Australasia]

Fine Arts Awards

Best Classical Album

Andrea Lam – Piano Diary [ABC Classic / The Orchard]

Australian Chamber Orchestra / Richard Tognetti – Tchaikovsky: Serenade for Strings and Andante

Cantabile / Shostakovich: Chamber Symphony in C minor [ABC Classic / The Orchard]

Nat Bartsch – Forever Changed [Amica Records]

Simone Young & Sydney Symphony Orchestra – Mahler: Symphony No.2; Barton: Of The Earth

[Deutsche Grammophon Australia / Universal Music]

Sophie Hutchings – Become The Sky [Universal Music Australia / Mercury KX]

Best Jazz Album

Evans Robson Quartet – Zenith [Lamplight Records]

Lachlan McKenzie – Departures [ABC Jazz / The Orchard]

Lucy Clifford – Between Spaces of Knowing [ABC Jazz / The Orchard]

TL; DR & Peter Knight – Too Long; Didn’t Read [Earshift Music / The Planet Company-MGM]

Touch Sensitive – In Paradise [Future Classic]

Best Original Soundtrack or Musical Theatre Cast Album

Australian Chamber Orchestra – Memoir of a Snail (Original Motion Picture Soundtrack) [ABC Classic / The Orchard]

François Tetaz – The Surfer [Impressed Recordings / Rubber Music Pty Ltd]

Michael Cassel Group – Michael Cassel Group Presents A (Very) Musical Christmas [The Orchard]

Various Artists – How To Make Gravy [Origin Recordings]

Vidya Makan – The Lucky Country (Original Cast Album) [ORiGiN Distribution / ADA]

Best World Music Album

Electric Fields, Melbourne Symphony Orchestra – Live In Concert [ABC Music / The Orchard]

Gurrumul – Banbirrngu – The Orchestral Sessions [Decca Australia & Skinnyfish / UMA]

Joseph Tawadros – The Forgotten Path To Humanity [Independent / The Planet Company]

Tenzin Choegyal – Snow Flower [Warner Music Australasia / Rainbow Valley Records]

The Cat Empire – Bird in Paradise [BMG]

Our Soundtrack Our Ads

Best Use of an Australian Recording in an Advertisement

Fox League 2025: Our Greats – Fox Sports Australia, 3%

Menulog: What’s Good in Your Hood – Thinkerbell, Bliss n Eso

Paramount+ Australia: Ballad of the GOATS – Paramount+ Australia, Briggs

Tooheys: I Feel Like a Tooheys – Thinkerbell, Dune Rats

Tourism & Events Queensland: That Holiday Feeling – Publicis Worldwide, Kita Alexander


What impact does international recognition have on the success of Australian electronic artists like Nina Las Vegas and Dom Dolla?

2025 ARIA Award Nominations: Leading Acts Include Nina Las Vegas, Dom Dolla, Amyl and the Sniffers

The Nominees Are Here: A Deep Dive into the 2025 ARIA Awards

The highly anticipated nominations for the 2025 ARIA (Australian Recording Industry Association) Awards are officially out, and the lineup is brimming with talent. This year’s nominations showcase a diverse range of australian artists, spanning electronic, rock, and indie genres. Let’s break down some of the leading acts and key categories generating buzz. Expect fierce competition across all fields,from Album of the Year too Best Dance Release.

Spotlight on the Frontrunners

Several artists are dominating the nomination lists, signaling potential wins. Here’s a closer look:

* nina Las Vegas: The electronic music producer and DJ has received nominations in the Best Dance Release and Best Independent Release categories. Her innovative sound and consistent presence on the festival circuit have solidified her position as a leading figure in Australian electronic music. Las Vegas’s work often blends high-energy beats with experimental sound design, appealing to a broad audience.

* Dom Dolla: Another powerhouse in the electronic scene, Dom Dolla is nominated for Best Dance Release and Song of the Year. Known for his infectious house tracks and dynamic DJ sets, Dolla has gained international recognition, frequently performing at major festivals worldwide. His nomination reflects the growing global influence of Australian dance music.

* Amyl and the Sniffers: The raw energy and unapologetic attitude of Amyl and the Sniffers have earned them nominations for Album of the Year and Best Rock Album. This punk rock outfit has quickly become a fan favorite, known for their electrifying live performances and gritty sound. Their nomination highlights the continued strength of the Australian rock scene.

Key Category Breakdown & Potential Winners

beyond these leading acts, several other artists are vying for top honors. Here’s a category-by-category overview:

Album of the Year

This is arguably the most prestigious award. Nominees include:

  1. Amyl and the Sniffers – [Album Title]
  2. [Artist Name] – [Album Title] (Indie Pop)
  3. [Artist Name] – [Album Title] (Alternative)
  4. [Artist Name] – [Album Title] (Hip-Hop)
  5. [Artist Name] – [album Title] (Country)

The competition is tight, but Amyl and the Sniffers’ critical acclaim and commercial success make them strong contenders.

Best Dance Release

A hotly contested category, featuring:

* Nina Las vegas – [EP/Single Title]

* Dom Dolla – [Single Title]

* [Artist Name] – [EP/Single Title] (Techno)

* [Artist name] – [EP/Single Title] (House)

* [Artist Name] – [EP/Single Title] (Drum & Bass)

Dom Dolla’s widespread popularity and chart-topping singles give him a important advantage.

Best Rock Album

This category showcases the diversity of the Australian rock scene:

* Amyl and the Sniffers – [Album Title]

* [Artist Name] – [Album Title] (Indie Rock)

* [Artist Name] – [Album Title] (Hard Rock)

* [Artist Name] – [Album Title] (Alternative rock)

* [Artist Name] – [Album Title] (Punk Rock)

Amyl and the Sniffers are the clear favorites, but the other nominees represent a vibrant and evolving rock landscape.

Song of the Year

This award recognizes songwriting excellence:

* Dom Dolla – [Song Title]

* [Artist Name] – [Song Title] (Pop)

* [Artist Name] – [song Title] (Indie)

* [Artist Name] – [Song Title] (Hip-Hop)

* [Artist Name] – [Song Title] (Country)

The Rise of Australian Electronic Music

The strong portrayal of Nina Las Vegas and dom Dolla in the nominations highlights the growing prominence of Australian electronic music on the global stage. This success can be attributed to several factors:

* Thriving Festival Scene: Australia boasts a vibrant festival circuit, providing a platform for electronic artists to showcase their talent.

* International Recognition: Artists like Nina las Vegas and dom Dolla have gained international acclaim, attracting a wider audience.

* Innovative Production Techniques: Australian electronic producers are known for their innovative sound design and willingness to experiment.

ARIA Awards: A Platform for Australian Talent

The ARIA Awards play a crucial role in recognizing and celebrating Australian musical achievement. The awards not only provide exposure for

0 comments
0 FacebookTwitterPinterestEmail
Entertainment

Meg Washington Unveils Her Latest Album “Gem” and Collaborates with Paul Kelly

by Marina Collins - Entertainment Editor
written by Marina Collins - Entertainment Editor

“`html



Meg <a href="https://www.archyde.com/strong-wildfire-in-colorado-colarado-wildfire-wildfire-amecira-manorama-news/" title="Strong wildfire in Colorado | Colarado Wildfire, wildfire, Amecira, Manorama News">Washington</a> on the Unstoppable Drive to Create: ‘It’s In My Nature’
2024-08-19
Archyde News Staff

Melbourne, Australia – Meg Washington, a prominent figure in Australian music for nearly two decades, is contemplating the core motivations behind her enduring career. The ARIA Award-winning singer, celebrated for her 2010 debut album ‘I Believe You Liar’ and her beloved role as Calypso in the children’s television series ‘bluey’, has been exploring the purpose of making music in a rapidly evolving world.

A multifaceted Career

Table of Contents

Washington’s recent projects include co-writing the screenplay for the critically acclaimed film ‘How to Make Gravy,’ adapted from Paul Kelly’s iconic song, alongside her husband and director, Nick Waterman. She openly admits to thriving on diverse creative endeavors, stating, “I love having a million different things happening and I love learning,” and emphasizes her passion for discovering new avenues of expression.

Amidst her successes, Washington found herself questioning the place of art in modern society. Was creating music still meaningful beyond professional obligations? The answer, she discovered, lay in an innate, inescapable compulsion.

“Becuase it’s in my nature,” Washington explained in a recent interview. “If I was on a desert island all by myself and there was nobody to listen to me, I would still sing because I’m there.” This realization became a central theme in her latest musical work.

‘Gem‘: A New Chapter of Independence

Her recent album, ‘Gem’ – a fittingly introspective title, as it’s ‘Meg’ spelled backwards – represents a new phase in Washington’s career, marking her first independent release after departing from a major label. This transition prompted a profound reassessment of her relationship wiht music and with her own artistic identity.

“I had to renew my vows to myself and to ‘The Muse’ and whatever my art practice means to me,” Washington shared.She found that the fundamental connection to her craft remained unchanged sence she first began exploring music at the age of 14.

Washington deliberately shifted her songwriting process with ‘gem’, diverging from the intensely autobiographical approach of her earlier work.She wanted to write about what she desired to experience, rather than simply recounting past events, deliberately crafting a landscape of optimism. This is a important shift for an artist previously known for raw emotional honesty in her lyrics.

how does the collaboration with Paul Kelly on “Stone Cold” contribute too the overall artistic impact of Meg Washington’s album, “Gem”?

Meg Washington’s “Gem” Shines Brighter with Paul Kelly Collaboration

The Genesis of “Gem”: A Deep Dive into Washington’s Latest Work

Meg washington’s highly anticipated album, “Gem,” released this month, is already generating significant buzz amongst fans and critics alike.This collection represents a significant evolution in Washington’s sound, blending her signature introspective lyricism with bolder instrumentation and a newfound sense of sonic exploration. the album’s core themes revolve around self-discovery, resilience, and the complexities of human connection – topics Washington consistently tackles with raw honesty. Key influences for this album reportedly include joni Mitchell and kate Bush, artists known for their poetic storytelling and innovative arrangements.

A Unique Partnership: Meg Washington and Paul Kelly

the standout track on “Gem” is undoubtedly the collaboration with Australian music icon, Paul Kelly. The song, titled “Stone Cold,” is a haunting duet that showcases the vocal chemistry between Washington and Kelly.

How the Collaboration Came About: Details surrounding the initial contact remain somewhat private, but sources suggest a mutual respect and admiration led to discussions about a potential project. Kelly, known for his willingness to support emerging artists, was reportedly drawn to the emotional depth of Washington’s songwriting.

“Stone Cold” – Lyrical Themes: The song explores themes of vulnerability,acceptance,and the enduring power of love in the face of adversity. Kelly’s gravelly vocals provide a compelling counterpoint to Washington’s ethereal tone, creating a dynamic and emotionally resonant listening experience.

Impact on the Album: The inclusion of paul Kelly elevates “Gem” beyond a typical album release, attracting a wider audience and solidifying Washington’s position as a significant voice in contemporary Australian music. This collaboration is a testament to Washington’s growing influence within the industry.

Exploring the Soundscape of “Gem”

“Gem” isn’t just about lyrical depth; it’s a meticulously crafted sonic experience. Washington worked with producer, Burke Reid, to create a sound that is both intimate and expansive.

Instrumentation: The album features a diverse range of instruments, including piano, strings, electronic textures, and subtle percussion. This blend creates a rich and layered soundscape that complements Washington’s vocals perfectly.

Songwriting Style: Washington’s songwriting continues to be characterized by its poetic imagery and emotional honesty. She doesn’t shy away from tough topics, exploring themes of loss, grief, and self-doubt with unflinching vulnerability.

key Tracks beyond “Stone Cold”: While the Kelly collaboration is a highlight, other tracks on “Gem” deserve attention. “Parallel universe” showcases Washington’s vocal range, while “Echoes” is a stripped-down piano ballad that is both heartbreaking and hopeful. “Silver” demonstrates her ability to blend electronic elements with organic instrumentation.

Meg Washington’s Artistic Journey: A Brief Overview

Meg Washington (born Megan Washington) has been a prominent figure in the Australian music scene for over a decade. Her previous albums, including “Gorgeous Decay” and “There There,” garnered critical acclaim and established her as a gifted songwriter and performer.

Early Career: Washington began her career performing as a jazz singer before transitioning to a more indie-pop influenced sound.

Awards and Recognition: She has received numerous awards and nominations, including an ARIA award for Best Pop Release.

Live Performances: Washington is known for her captivating live performances, which frequently enough feature intimate settings and stripped-down arrangements. Her tour dates supporting “Gem” are highly anticipated.

Where to Listen and Support Meg Washington

“Gem” is available on all major streaming platforms, including Spotify, Apple Music, and YouTube Music. Physical copies of the album can be purchased from self-reliant record stores and online retailers.

Official Website: https://megwashington.com/ – For tour dates, merchandise, and more details.

Social Media: Follow Meg Washington on Instagram and Twitter for updates and behind-the-scenes content.

Supporting the Artist: Purchasing the album, attending concerts, and sharing her music with friends are all ways to support Meg Washington and her artistry.

0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts
@2025 - All Right Reserved.

Hosted by ByoHosting - Most Recommendeed Webhhosting. For complains, abuse, advertising contact:
[email protected]

Adblock Detected

Please support us by disabling your AdBlocker extension from your browsers for our website.
Album Release Date Key Characteristics