A groundbreaking exhibition opening in New Plymouth, Taranaki, is offering a unique perspective on New Zealand’s freshwater ecosystems, giving voice – literally – to native species like tuna (eels), īnanga, and kōaro (whitebait). Whiria ko te iwi tuna, a four-year collaborative project, immerses audiences in the hidden world beneath the surface of Te Whanganui, a central Taranaki stream, through evocative underwater footage and meticulously recorded soundscapes. The exhibition aims to foster a deeper understanding of these vital waterways and the creatures that inhabit them, even as also highlighting ongoing concerns about their protection.
The project, spearheaded by artist collective Toiaa Taiao – comprised of Tihikura Hohaia, Alex Monteith, and Maree Sheehan – isn’t simply about showcasing the beauty of these environments. It’s a direct response to what the artists describe as ongoing legislative failures that have enabled the exploitation of waterways and undermined the authority of local Māori communities in enacting kaitiakitanga, or guardianship, over their natural resources. The exhibition, opening February 28th at the Govett-Brewster Art Gallery, seeks to position these species not as passive elements of the ecosystem, but as active agents with their own inherent sovereignty.
What sets this exhibition apart is its innovative approach to representation. “This project marks the first time the voices of tuna from Te Whanganui have been recorded and made audible as voices in their own right,” explains Maree Sheehan, a composer and sound artist recognized as Māori Researcher of the Year by the Royal Society of New Zealand in 2024. By amplifying these previously unheard communications, the artists aim to challenge conventional perceptions and encourage a more empathetic connection with these often-overlooked creatures.
The exhibition is further enriched by a newly published essay from Rachel Buchanan (Taranaki iwi, Te Ātiawa, Taranaki Whānui ki Te Upoko o Te Ika). Buchanan’s work situates Whiria ko te iwi tuna within a long “whakapapa of care and protest” in Taranaki, acknowledging the generations of hapū and community-led efforts dedicated to protecting the region’s waters from industrial damage and affirming the inseparable link between the land, the water, and its people.
Exploring the Govett-Brewster Collection Alongside New Voices
Alongside Whiria ko te iwi tuna, the Govett-Brewster Art Gallery will also be opening Pause, act, void, event on February 28th. This exhibition showcases a dynamic selection of both beloved and newly acquired works from the gallery’s collection. The display is anchored by a large-scale installation by Debra Bustin, which hasn’t been seen at the gallery since 1982, and also features pieces by prominent New Zealand artists including Billy Apple, D Harding, Ralph Hotere, Corita Kent, Tom Kreisler, Ziggy Lever & Lucy Meyle, Peter Peryer, and Pauline Rhodes.
Both exhibitions – Whiria ko te iwi tuna and Pause, act, void, event – will be on display until July 19, 2026, offering an extended opportunity for audiences to engage with these diverse artistic perspectives. The Govett-Brewster Art Gallery continues to position itself as a vital cultural hub, fostering dialogue around environmental stewardship and artistic innovation.
The work presented in Whiria ko te iwi tuna is particularly timely, as discussions around freshwater management and Māori rights continue to gain prominence in New Zealand. By giving a platform to the voices of these often-silenced species, the exhibition encourages a re-evaluation of our relationship with the natural world and a renewed commitment to protecting these precious ecosystems for future generations. The project’s success in recording and amplifying the sounds of tuna represents a significant step in recognizing their agency and advocating for their well-being.
As the exhibitions open, the Govett-Brewster Art Gallery anticipates a strong public response, inviting visitors to immerse themselves in the sounds and sights of Te Whanganui and reflect on the broader implications for environmental conservation and cultural preservation. The ongoing dialogue sparked by Whiria ko te iwi tuna promises to contribute meaningfully to the evolving conversation surrounding New Zealand’s waterways and the importance of upholding kaitiakitanga principles.
What comes next will be determined by the public’s engagement with these critical themes and the continued advocacy for the protection of New Zealand’s unique freshwater environments. We encourage you to share your thoughts and reactions to these exhibitions in the comments below.