Caracas, February 16, 2026 – Thousands gathered today in Venezuela’s capital to participate in the Marcha de los Claveles, a vibrant tribute to the life and legacy of Alí Primera, the beloved singer-songwriter known as “El Cantor del Pueblo” (The Singer of the People). The annual march commemorates the 41st anniversary of Primera’s passing and celebrates his enduring impact on Venezuelan culture and social consciousness.
The procession began at 10:00 AM local time from the Casa de la Libertad y Cultural Alí Primera, formerly the Cuartel San Carlos, and wound its way through the city center to the Plaza Bolívar. Participants, including artists, writers, cultural promoters, and everyday citizens, carried red carnations – a symbol deeply associated with Primera’s memory – and sang his iconic songs, filling the streets with music and remembrance.
Alí Primera died on February 16, 1985, in a car accident on the Valle-Coche highway in Caracas. His untimely death, whereas, did not diminish his influence. Instead, the Marcha de los Claveles, established in the years following his passing, has grown into a powerful annual demonstration of his continued relevance. The event is organized by the Compañía Nacional de Música and Misión Cultura, entities affiliated with the Ministry of Popular Power for Culture, according to El Universal.
A Voice for the Voiceless
Primera’s music was characterized by its direct engagement with social issues and its unwavering support for the struggles of ordinary Venezuelans. Songs like “Techos de Cartón” (Cardboard Roofs), “Tin Marín,” “Madre Déjame Luchar” (Mother, Let Me Fight), “La Patria es el Hombre” (The Homeland is the People), and “Los que Mueren por la Vida” (Those Who Die for Life) became anthems for a generation grappling with poverty, injustice, and political turmoil. He used his platform to denounce inequality and advocate for a more equitable society, earning him a reputation as a champion of the marginalized.
The Marcha de los Claveles is more than just a memorial; it’s a reaffirmation of Primera’s core values. Organizers describe it as a “march of love and hope,” a space where his message of social justice and solidarity continues to resonate. Albaciudad.org reports that the event embodies the promise to “not mourn Alí’s departure, but to sow his example,” with the red carnation symbolizing an “unwavering commitment to peace and sovereignty.”
A Legacy of “La Canción Necesaria”
Primera’s impact extends beyond his musical catalog. He is remembered for his concept of “la canción necesaria” – the necessary song – which emphasized the role of music as a tool for social commentary and political awakening. He believed that artists had a responsibility to address the realities of their time and to utilize their voices to challenge injustice. This philosophy continues to inspire musicians and activists in Venezuela and beyond.
The march also serves as a reminder of Primera’s revolutionary spirit. Prensa Latina highlights that the event honors not only his artistic contributions but also his “revolutionary legacy, his social struggle, and his ‘necessary song.’” The Fundación Latinoamericana por los Derechos Humanos y el Desarrollo Social underscored his commitment to unity, justice, and resistance against oppression.
As the march concluded in Plaza Bolívar, artists and attendees joined together in a collective performance of Primera’s most beloved songs, transforming the square into a vibrant celebration of his life and function. The event underscored the enduring power of music to unite communities and inspire social change.
The Marcha de los Claveles serves as a powerful reminder of Alí Primera’s lasting influence on Venezuelan culture and his continued relevance in a nation still striving for social justice and equality. The annual event ensures that his message of hope and resistance will continue to inspire generations to come. Further commemorations and tributes are expected throughout the month, solidifying Primera’s place as a cultural icon.
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