2023-11-07 16:07:20
Published on November 7, 2023 5:07 p.m. / Modified on November 7, 2023 6:34 p.m.
There is no hot room without desecration. An act that human morality condemns. A vision that offends decency. The shows of Alexander Zeldin, 38, are marked with this seal, which is that of the great tragedians, from Sophocles to the Englishwoman Sarah Kane. The British author and director lifts the veil, from Wednesday at the Comédie de Genève, after the Théâtre de l’Odéon in Paris, on the destiny of his mother. The Confessions succeeds on the Geneva stage to Love and to A Death in the Family. The son becomes a spinner: his work is loving, but uncompromising, captivating for this reason.
Lire: Alexander Zeldin: “In the theater, the living and the dead make common cause.”
Interested in this item?
Don’t miss any of our content published daily – subscribe now from 9.- CHF for the first month to access all our articles, files, and analyses.
CHECK OFFERS Good reasons to subscribe to Le Temps: Consult all unlimited content on the site and the mobile application Access the paper edition in digital version before 7 a.m. Benefit from exclusive privileges reserved for subscribers Access the archives
Already a subscriber? To log in
1699382613
#Comédie #Genève #artist #Alexander #Zeldins #luminous #epistle #mother