The director of “Beirut 303” excites the audience about the work and explains: Sulafa Mimar’s slap to Nadine Al-Rassi is real (video)
Mada Post_Editing Team
Lebanese director Elie Semaan, director of the Beirut 303 series, appeared in a short interview with Fuchsia magazine; To talk about the scenes of the work that is currently shown on the Shahid platform and has a high viewership.
Samaan explained that the decision to show the series outside the Ramadan season was not out of fear of competition, as the work poster alone is enough to frighten any work in front of him, stressing that the postponement took place due to lack of time and the failure to finish filming.
He added that the series includes a group of important stars and has been competing strongly from the moment its production was announced, stressing that the work team was confident of success and looking forward to reap the result of the great effort expended in it.
The most difficult scenes in Beirut 303
Director Elie Samaan revealed that most of the scenes of the work were difficult and sensitive, as the characters are complex and their reactions must be carefully calculated, noting that his greatest focus was on the scenes that brought together artist Moatasem Al-Nahar and artist Solafa Mimar.
Samaan added that the relationship between An-Nahar and Mimar is very sensitive, as it is a relationship between a woman who lost her son and a man who lost his fiancée in the same accident, and this loss causes an emotional attraction between them, so he was keen to film their scenes far from exaggeration.
On the criticisms leveled at this relationship; Because there was a difference in age between day and architecture, Simon said: “Why?! Is it new?” He confirmed that there are many romantic relationships between people, the age difference between them is large, whether the man is older or the woman is older.
Slap of Sulafa Mimar Nadine Al-Rassi
Director Elie Semaan confirmed that A slap in the crown / Sulafa Mimar Larzan / Nadine Al-RassiIt was real, not acting, explaining that he tried several times to implement acting techniques, but was not satisfied with the result.
Samaan added that he asked Al-Rassi’s permission for the slap to be real, so she did not mind, and the scene was filmed, pointing out that there is another scene that brings together Al-Rassi and Mimar, where the latter pushes the first, affected by her provocation, although the batch was not in the scenario.
Semaan stated that he expected the scene to be trending, so what Razen’s character did with Taj’s character was provocative, so that as an ordinary viewer he felt that the first deserved the slap.