The fictional drama “I am in front of you”.. Has Jojo Moyes succeeded in transferring her novel to a charged dramatic scenario? | culture

A shock after which everything in life may begin, and regret is the change of behavior that we love to complete the journey with agreement, satisfaction and realistic conviction that is not tainted by the beautiful imagination that we tend to when we are unable to live as it should. Love is the soul, but the body is the substance of life on earth, as is compatibility in work, motherhood, or family in general, and it is part of the basics of life, if we do not say the beauty of harmony and harmony in everything. This is what the writer is trying to convey in the romantic drama movie “I am before you” or rather the fictional drama “I am in front of you” by Jojo Moyes, which raises the issue of euthanasia, and the reality that we must accept when we fall into a crisis! Because love has its needs that take care of it and put it within the framework of the right survival, and if the strong ability to endure emerged from the strange “Lou Clark” in the colors of her clothes and her comic style in the face of difficulties, the simple girl with her qualifications was approved to take care of the young man with quadriplegia, who decided to put an end to his life because he Unable to live without sufficient movement to make him fully recover his health, did “Jojo Moyes” succeed in transferring her novel to a romantic drama scenario charged with acting ability that increased the credit of the film’s success? Because the romantic story is classic for the most part, even if it carried some technical modernization of the plot and narration of scenes similar to romantic fantasy, which are largely representative of the duo Emilia Clarke and Sam Claflin, adding special impressions of the film’s characters or a distinctive flavor to the whole story.

“You know, you cannot help anyone if you need help in reality,” a sentence that drives “Lou Clark” with deep psychological incentives that energize her desire to give the young man all the elements that prepare him for satisfaction with life and acceptance of his reality, so she falls in love with him, and he is the one who lost the love of his life after the accident that left him paralyzed. Quadruple, for his sweetheart to marry his friend at work, and this is a great loss that cannot be compensated even in the presence of “Louisa Clark” in his life, because she is a beautiful girl and needs care in love, which she does not realize its importance because she is emotionally affected by his situation, and this distances her from the conscious decision that he made By refusing to stay with her in this paralyzed love also because it is incomplete, does this justify the issue of euthanasia or escaping from life that imposed on him a form of burden on others?

The director, Thea Sharrock, relied on the aesthetics of the scene or its narrative, in order to express itself, while preserving the pictorial dimensions, costumes, and locations, so that the directorial effects constitute a kind of visual scenario, calm with its romanticism, that of rain and accompanying scenes or snow, and the accompanying symptoms. Illness helped in the convergence of each of the two heroes who retained representative expressions in the face, and other details that had the greatest impact in attracting the viewer’s senses towards them, so that the music then formed the real single that helped translate the feelings, and put the musical scene in an audiovisual equation that had the greatest impact in capturing the scene Open to several dramatic records, it would have been affected by directorial flabbiness without soundtrack. Craig Armstrong succeeded in sensually forming her dramatic vocabulary, to nourish the imagination and inspire the strength and satisfaction of reality with it.

Some difficulties cannot be overcome even with simplicity and fun, because they accompany the details of our lives that have changed and become dangerous and constant anxiety for others, in addition to disability for life. So does love last in the event that the body is unable to nourish existence with the elements of survival? And can a person make the decision to leave him by choosing euthanasia?

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