Let’s start right away with the highlight of the exhibition, its high point, unless it’s regarding its point end, of its final point, to use the expression of Fabienne Eggelhöfer, curator at the Paul Klee Center (Zentrum Paul Klee, or ZPK). This amazing canvas is at the very back of the exhibition Joan Miro. New Horizons, which opened at the end of January in Bern. The painting, painted in 1968, bears the title of Countryside.
The last Miró, simplicity in focus at the Paul Klee Center
written by Alexandra Hartman Editor-in-Chief
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Alexandra Hartman Editor-in-Chief
Editor-in-Chief Prize-winning journalist with over 20 years of international news experience. Alexandra leads the editorial team, ensuring every story meets the highest standards of accuracy and journalistic integrity.
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