Breaking News: ‘The New Hallucinations of Lucas Cranach the Elder’ – A Living Renaissance Unveiled in Brussels
Brussels, Belgium – A mesmerizing theatrical experience inspired by the works of German Renaissance master Lucas Cranach the Elder is captivating audiences in Brussels. Cie Mossoux-Bonté, a renowned European performance company, is presenting a reimagining of their acclaimed 1990 piece, offering a fresh perspective on the artist’s haunting and evocative portraits. This is more than just a play; it’s a journey into the very soul of the Renaissance, brought to life with a new generation of performers and a captivating soundscape.
From London Gallery to Brussels Stage: The Genesis of a Vision
The story begins in 1990 at the National Gallery in London. Choreographers Nicole Mossoux and Patrick Bonté were profoundly moved by a portrait painted by Cranach – a portrait of a young woman that sparked a powerful, almost unsettling reaction. This initial “upheaval,” as the artists describe it, birthed The Last Hallucinations of Lucas Cranach the Elder, a work that has since been performed over 150 times across Europe. The original production explored themes of memory, presence, and the lingering echoes of the past, all filtered through the lens of Cranach’s distinctive style.
Now, four decades after the company’s founding, Mossoux and Bonté are revisiting this seminal work. This isn’t a simple revival; it’s a reinvestment. They’ve retained the core concept and dramaturgy but infused it with new energy through a fresh cast and a completely reimagined sound universe. This approach speaks to the enduring power of the original vision and the artists’ commitment to continuous exploration.
Lucas Cranach the Elder: A Renaissance Master Reconsidered
Lucas Cranach the Elder (1472-1553) was a pivotal figure in the German Renaissance. Beyond his artistic skill, he was a shrewd businessman, a court painter to the Electors of Saxony, and a close friend of Martin Luther. His portraits, often characterized by their elongated figures and detailed depictions of clothing and jewelry, offer a fascinating glimpse into the social and religious landscape of the 16th century. Cranach’s work frequently explored themes of beauty, mortality, and the complexities of human relationships. He wasn’t simply documenting appearances; he was capturing a sense of inner life, a quality that clearly resonated with Mossoux and Bonté.
Understanding Cranach’s historical context is key to appreciating the depth of this performance. The Renaissance was a period of immense change, a rebirth of classical learning, and a questioning of established norms. Cranach’s art reflects these tensions, and the Cie Mossoux-Bonté production promises to amplify them, offering a contemporary audience a chance to connect with the past in a profoundly meaningful way. For those interested in learning more about Cranach, resources are available at The National Gallery’s website and other leading art history institutions.
Experience the Hallucinations: Performance Details
The New Hallucinations of Lucas Cranach the Elder is currently being performed at Petite rue des Brigittines, 1000 Brussels. This intimate setting promises to enhance the immersive quality of the experience, drawing audiences into the world of Cranach’s paintings and the haunting memories of those who inhabit them. The performance is a testament to the power of art to transcend time and connect us to the enduring mysteries of the human condition.
Cie Mossoux-Bonté’s dedication to innovative and thought-provoking performance art continues to solidify their position as a leading force in European theater. This revival is not just a celebration of their 40 years of activity; it’s a bold statement about the enduring relevance of art and the power of imagination to illuminate the past and inspire the future. Stay tuned to archyde.com for further coverage of groundbreaking artistic events and cultural trends.
