It is believed that the star of the film “Love and Doves” Nina Doroshina deliberately abandoned motherhood. Sacrificed one role for others. She completely subordinated her life to theater and cinema. However, shortly before leaving, Nina Mikhailovna regretted her childlessness. December 3 marks the 88th anniversary of the birth of the actress.
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Towards fatal love
Few people know that Nina Doroshina was fluent in colloquial Persian. She spent her childhood in Iran. The family went there before the Great Patriotic War. Nina’s father was sent to a foreign country to buy furs in the interests of the state. He was a specialist in the selection and evaluation of such products.
They returned to their homeland in peacetime. After graduating from school, Doroshina became a student at the Theater School. Schukin. In the late 1950s, the actress was accepted into Sovremennik, where she eventually served for almost 50 years.
Nina began acting in films as a student. The very first exit to the set brought love to Doroshina’s life, which is commonly called fatal.
“He could come to the theater in trousers that are short for him, or in different socks”
Nina fell in love with the famous actor and director Oleg Efremov when she was working on her film debut. The role of Doroshina in the drama “First Echelon” was small, but came out quite bright.
They never connected their destinies. Efremov came into the life of an actress when he wanted, and when he wanted, he left. Nina Mikhailovna was repeatedly asked what, in a purely masculine way, this man, undoubtedly very talented, hooked her on.
Doroshina admitted: “It is difficult to explain. He could come to the theater in trousers that are short for him, or in different socks, or put on a very worn waistcoat. Whatever he was wearing, for some reason everything looked beautiful on him. But the main thing is that Oleg Nikolaevich ignited people.
Married to an illuminator
Doroshina herself was very pretty, especially in her youth. Yes, and temperamental. Men went crazy for her. But Efremov appeared and confused all the cards.
The most famous story is the first marriage. Nina’s marriage to her colleague Oleg Dal lasted for nothing and hurt her young husband. “I tried to knock out a wedge with a wedge. It was a mistake,” Doroshina repented.
Nina’s torment continued for more than ten years. She could really break with Efremov only when he seriously fell in love with Anastasia Vertinskaya.
Lighting master Vladimir Ishkov also served in Sovremennik. He began to look after him very beautifully, and Doroshina got married a second time. The marriage lasted 20 years. The departure of her husband from the life of the actress was extremely hard. She even ended up in the hospital with a heart attack.
“Why did I want Oleg to marry me so much?”
Doroshina survived her second husband for 14 years. In the movie, she stopped acting in 2010, the last time she appeared in the frame in the comedy “Garages”. Nina Mikhailovna always preferred the theater to cinema, where she served as long as she could go on stage. When she could no longer, her native Sovremennik helped with money, medicines, and food.
And Nina Mikhailovna taught at the Pike, which she herself once graduated from. So without becoming a mother, she surrounded herself with students, to whom she gave all her warmth. In the interview, she regretted the past.
“Why did we hurt each other so much? Why did I want Oleg to marry me so much? Why shouldn’t I have a child from a loved one? Be happy with what I have and be happy. When you are already over 80, you lie alone in the apartment and think how happy you were then. But she didn’t know how to appreciate it, ”the actress confessed with the publication“ 7 days ”.
Nina Mikhailovna died four years ago. Doroshina was 83. Her heart became ill, neighbors came to the rescue, but the doctors called were unable to help the popularly beloved artist.
She is buried in the capital’s Pyatnitsky cemetery. This year, with the assistance of friends, a monument appeared on the grave of the actress. In the center of the pedestal is a dove in memory of the film that truly glorified Doroshina.
Source: “7 days”
Photo source: Legion-media, frame from the film, Anatoly Zhdanov / “KP”