Why the actress Sexte, abandoned by Matveev, scares directors

Once Yana Sexte was known not for her roles, but as the wife of Maxim Matveev. But after the divorce, the artist managed to make herself known and is now a sought-after actress.

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Today, 42-year-old Yana Sexte is on the crest of success. The artistic director of the Tabakov Theater Vladimir Mashkov appreciates the student of his master and gives roles in performances. She starred with the best directors. And in the personal life of the actress, everything is fine. After a painful divorce from Maxim Matveev (he fell in love with Elizaveta Boyarskaya and left her), Yana started a family with the talented composer Dmitry Marin. On August 1, 2014, the couple had a daughter, Anna. The girl, according to her mother, “the makings of an actress.”

But with all this, the actress has problems. Despite her talent, skill, charisma and dedication, some directors are afraid of her. Allegedly too passionate, too categorical, too unpredictable. Yes, and Yana herself believes that she is a hurricane. The actress told about all this to the writer Tatyana Ustinova, who invited her as a guest of the My Hero program. They gave their opinion about the actress and director of the film “No one will know” Alena Zvantsova:

– Yana can do anything. She has a huge palette of colors. Only it is better not to let her near expensive decorations, props and expensive partners. Yana’s temperament has no limits.

History is silent about how Yana reacted to the betrayal of Maxim Matveev – did she throw chairs or other objects at him? But the fact that she suffered a lot is a fact.

Yana Sexte and Maxim Matveev lived in a hostel, they felt like strangers in Moscow. They supported each other. Sexte, being a favorite student of Oleg Tabakov, helped Matveev establish himself in the Moscow Art Theater. But he met the daughter of Mikhail Boyarsky and fell in love. But Yana learned to play “unhappy love”, and we all saw and appreciated this in the TV series “The Thaw” by Valery Todorovsky.

Photo source: Boris Kudryavov

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