“A sea of ​​Korean tears for an unknown 50-year-old singer”… A bowl of Japanese “gukppong” misplaced to Okay-pop

2024-05-14 13:12:52

Sankei Presents MBN Leisure “King of Korean Singers”
We’ve got garnered rave opinions for Utago Korori in Korea.
Claims that “Japanese common tradition is lastly absolutely open”

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Utagokoro Rie singing Snow Flower. [MBN 캡처]

Not too long ago, leisure applications that includes Korean and Japanese singers exhibiting off their abilities have gained reputation in Korea and are additionally attracting consideration in Japan. Some Japanese media have an interest on this by relaying the favorable opinions of Korean viewers on movies of singers from their nation posted on YouTube.

Their delight has been harm by the truth that J-pop continues to lag behind Okay-pop when it comes to singer expertise and world reputation, and their so-called “gukppong” mentality has been boosted by the sight of the singers from their nation turn out to be common in Korea.

On the thirteenth, Japanese Sankei Shimbun (Sankei) made an vital report on the MBN leisure program “Korea-Japan Singer King”, which ended on the seventh. Sankei defined that “Korea-Japan Singer King” started with 11.9% for the primary episode and often remained round 10%, and confirmed an uncommon viewership of over 15% for the final episode. “The King of Korean-Japanese Singers” ranked first in viewership in its time slot, together with terrestrial, full-length and cable channels, for six consecutive weeks throughout the broadcast interval.

Sankei notably targeted on the recognition of Rie Utagokoro, a 50-year-old Japanese singer who passionately sang songs comparable to “Snow Flower.” This newspaper stated of Rie Utagokoro: “She debuted as a singer in a three-member group on the age of 21, and her songs have been featured in TV commercials and so forth., however she did not have a success tune for a very long time. “Presently, I run a restaurant with my husband the place they’ve reside music,” she stated.

He went on to say that the video of him singing is so common that it has been seen over 2.6 million occasions, with feedback together with “I cried after I heard the tune”, “I wished to be taught Japanese and write a fan letter. and “It’s the Japanese music business’s fault for neglecting such a gifted particular person, and so forth.” “, garnered rave reactions from Korean viewers.

Rie Utagokoro expressed her aspirations on the Sankei Shimbun, saying, “I need to problem myself by singing in Korean” and “I would like to have the ability to be acknowledged as a Korean tune sooner or later.”

Apart from Rie Utagokoro, Japanese singers who appeared on the “Korea-Japan Singer Present” are gaining reputation in Korea. One other Japanese artist, Aiko Sumida, attracted consideration with the tune “Gingiragi ni Sarigenaku”, and the variety of associated YouTube movies reached nearly 3 million views.

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In the meantime, this newspaper cited a Korean knowledgeable on Japan and stated it was stunning {that a} Japanese tune sung in Japanese might be heard so casually in Korean residing rooms. The opening of Japanese common tradition happened in 1998 throughout the Kim Dae-jung administration. Nevertheless, the newspaper claims that Korean broadcasters have voluntarily regulated their remedy of Japanese music out of concern for the robust anti-Japanese sentiment within the nation, and that solely now has Japanese common tradition been opened up in its full kind in Korea.

The newspaper commented: “In Korea, the place there’s a robust anti-Japanese picture, the sight of Koreans proudly applauding the Japanese regardless of the outbreak of a confrontation between Korea and Japan appears to indicate one side of the change in relations between the Korea and Japan. »

He additionally identified that the latest reputation of Japanese singers in Korea is linked to the “trot craze.” The newspaper additionally reported: “Trot, which was independently developed in Korea with the origins of Japanese enka, has turn out to be extremely popular, even amongst individuals of their 50s and above, who’ve comparatively robust anti-Japanese sentiments, can now get pleasure from Japanese tradition with out prejudice.”

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