2023-09-14 13:17:15
For more than two decades, the archival turn has concerned the entire field of humanities and social sciences. It is accompanied by a change in the status of archives, from sources that they were, to complex objects, irreducible to their simple documentary function. Complex objects, because they result from an elaboration process marked by the intervention of multiple actors, the archives mobilize the use of a set of critical methods designed both to restore and understand the precise nature of the accidents which occurred to them. own but also to bring them to the knowledge of the public, scholarly or wider, in the form, in particular, of editions – critical, genetic, commented, digital, sometimes augmented by a set of metadata in increasing quantity.
By drawing on examples which all look at individual processes of creation or design (literary, philosophical, artistic), the Colloquium Translitterae 2023 “Archives: methods laboratory” intends to bring together and engage in dialogue the actors who contribute to the invention of archives and their understanding.
Programme
WEDNESDAY, OCTOBER 4
National Charter School
Léopold Delisle Room
65 rue de Richelieu (75002)
Registration for the day on this link
09:30 | Opening by Michelle Bubenicek (National School of Charters – PSL), Isabelle Kalinowski (Translitteræ University Research School – PSL), Frédéric Worms (École Normale Supérieure – PSL)
Introduction par Nathalie Ferrand (Institute of Modern Texts and Manuscripts – CNRS/ENS), Elsa Marguin-Hamon (Jean-Mabillon Center – ENC), Pierre Musitelli (Institute of modern texts and manuscripts – ENS, literature and language department)
Session 1. Definitions /1
ARCHIVE·S
Moderation: Valerie Theis (ENS)
10:30 a.m. | Edouard Vasseur (CJM, ENC), Do you speak the archive? Return to a plural feminine noun that has become singular
11h00 | Benedetta Zaccarello (ITEM, CNRS/ENS), What ontology for the archives of theory?
11:30 a.m. | Michel Spain (Germanic countries, CNRS/ENS), Archives of writers in Germany and their European context
12h00-12h15 | Discussion
Lunch
ATELIER
Moderation: Pierre Musitelli (ENS)
2:00 p.m Rossana Guglielmetti (University of Milan), The workshop of John of Salisbury: author variations of the Policraticus and their journeys in the first manuscripts of the work
14h30 | Nathalie Ferrand (ITEM, CNRS/ENS), Recomposing the writer’s workshop from his archive: Jean-Jacques Rousseau
15h00 | Charlotte Guichard (IHMC, CNRS/ENS), The painting, an archive of creation: the example of Prussian Blue in Paris in the 18th century
3:30 p.m. | Rosalba Agresta (BnF), In the workshop of the composer Donizetti and the genetics of the musical work
16h00-16h15 | Discussion
Visit to the Institute’s libraries
Upon prior registration. Reception of participants at 5:30 p.m. at 23 Quai de Conti, 75006 Paris
6:00 p.m. | Visit led by Yann Sordet, general curator, director. Interventions of Yoann Brault (Institut de France), Patrick Latour (Mazarine Library), Julien Pomart (Academy of Sciences) and presentation of documents.
THURSDAY, OCTOBER 5
École Normale Supérieure
Jean Jaurès Amphitheater
29 rue d’Ulm (75005)
Session 1. Definitions /2
LIBRARY
Moderation: Iegor Groudiev (ENS Libraries)
10h00 | AAlexandre Avril (ITEM, CNRS/ENS), Philosophical exogenesis: in the library of René Girard
10:30 a.m. | Jérôme Villeminoz (BnF) and Jean-Pierre Orban (ITEM, CNRS/ENS), André Schwarz-Bart’s annotated library: structuring, studies and promotion
11h00 | Paolo D’Iorio (ITEM, CNRS/ENS), The digital edition of Nietzsche’s library and readings
11h30-11h45 | Discussion
Lunch
Session 2. Operations /1
AUTHOR STRATEGIES
Moderation: Florence Weber (CMH, ENS)
14h00 | Monica Zanardo (University of Padua), When the author archives himself. Strategies of self-representation in Italian archives
14h30 | Michela Passini (IHMC, CNRS/ENS), Uses of correspondence and archive practices. Erwin Panofsky in New York and Princeton
15h00 | Jean-Robert Dantou (CMH, ENS), Archive documentary photography
3:30 p.m. | Aurele Crasson et Jeremy Pedrazzi (ITEM, CNRS/ENS), Derrida natively digital: the RAM of an “Archive”
16h00-16h15 | Discussion
Pause
Guest lecture
5:00 p.m. | Mathieu Lindon, writer. Interview about his book An archive (POL, 2023) and his literary work.
FRIDAY OCTOBER 6
École Normale Supérieure
Jean Jaurès Amphitheater
29 rue d’Ulm (75005)
Session 2. Operations /2
CLASSIFY, INVENTORY, SAVE
Moderation: Muriel Le Roux (IHMC, CNRS/ENS)
9h30 | Sarah Hassid (Paris I University), From the work of Jean-Georges Kastner to the Kastner-Boursault collection: the challenges of a reconstruction or the archive facing the challenge of oblivion
10:00 a.m Mbaye Gueye (Cheikh Anta Diop University of Dakar, IFAN) and Claire Riffard (ITEM, CNRS/ENS), René Maran: postcolonial archives?
10h30-10h45 | Discussion
Pause
HERITAGE, INSTITUTIONALIZATION
Moderation: Olivier Poncet (CJM, ENC)
11h00 | Christian Del Vento (University of Pavia) and Pierre Musitelli (ITEM, ENS), Preservation, edition, heritage of author’s manuscripts in Italy (14th-21st centuries)
11:30 a.m. | Jean-Marc Hovasse (Sorbonne University) and Thomas Cazentre (BnF), Victor Hugo and the heritage of literary manuscripts
12h00 | Guillaume Fau (BnF), in dialogue with Elsa Marguin-Hamon (CJM, ENC), The contemporary manuscripts department of the BnF.
12h30-12h45 | Discussion
Lunch
Session 2. Operations /3
EDIT
Moderation: Elsa Marguin-Hamon (CJM, ENC)
14h00 | Nicholas Cronk (Voltaire Foundation, University of Oxford), Editing (and re-editing) the Voltairian archive: the issues and challenges of correspondence
14h30 | Olivier Lumbroso (Sorbonne Nouvelle University) and Jean-Sébastien Macke (ITEM, CNRS/ENS), Editing Zola’s fictional and non-fictional archives: history, methods, purposes
15h00 | EElizabeth Basso (University of Pavia) and Marie-Laure Massot (CAPHÉS, CNRS/ENS), The Foucault reading sheets (FFL) project: a digital-proof archive
15h30-15h45 | Discussion
Pause
ARCHIVES TO THE CHALLENGE OF CREATION
Moderation: Christophe Gauthier (CJM, ENC)
16h00 | Caroline Mounier-Vehier (THALIM, CNRS/ENS), The performance archives, historical source and creative material on the contemporary baroque scene. Reflections on Lully and Quinault’s recreations of Atys
16h30 | Anne-Françoise Benhamou (THALIM, CNRS/ENS), Show recording as an archive of the theatrical event: methodological questions
17h00 | Rafaella Uhiara (THALIM, CNRS/ENS), Archives as a source of creation: the use of sound documents in theater
17h30-17h45 | Discussion
Fence
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#ARCHIVES #Methods #laboratory