2024-04-09 19:38:50
Well-tempered, sprinkling wellness
So everything is as usual with the Texan trio, because the regular fourth studio album from Khruangbin absolutely no surprises (or according to its title and the associated story with back-to-the-roots thinking) any perspectives that the broad success of Mordechai as well as the Leon Bridges collaborations as well as the extensive 2023 live recordings, ignored, and a truly purist, minimalist work designed with the trademark sound ripple out.
As a largely instrumental easy listening dance, the band weaves over relaxed rhythms and meditatively reverberating ones The Durutti Column-Memory guitars once again combine such absolutely soulful, mild funk or dub into a summery sunshine soundtrack, spreading the tonal equivalent of pure holiday flair in the peaceful waves. The songwriting meanders along in a relaxed, engaging and fleeting way, grooving infinitely smoothly in the gentle atmosphere, the melodies don’t find their way to the point and precisely because of that they don’t reach their goal: this non-committal nature is definitely part of the appeal of Khruangbin – and it works once again: fantastic as background accompaniment anyway, actively consumed and blurring into a relative uniformity.
Especially since instant hits that are suitable for the masses like the career highlights So We Won‘t Forget and Texas Sun This time there are no changes, and individual hatchings are also within a manageable range. put put attempts a latent disco activity and still alive Strolls on the beach of Pop, where Hold Me Up (Thank You) then allows a little more partying at the bar and Three From Two nestles warmly and softly in a soulful melancholy to reflect on comforting nostalgia. Otherwise, the compositions remain relatively congruent and serve the aesthetics and mood – which sends the spirit on a healing journey.
If A Love International presents a beautiful but immediately forgotten melody, this is just as symptomatic as if The little grays Completely decelerated, elegiac dreams on Satie’s keyboard, but in the pleasant comfort zone it is actually just underwhelming. Away from a really well-rounded whole as a pleasant summer album To the room In this respect, it is probably primarily the disarmingly amiable contours given to him by his singing May Ninth remain.
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