More political than artistic, the criticism emerged on the social network X, formerly twitter.
Among those who reacted immediately, the head of the list of the nationalist party “Reconquête” in the European elections, Marion Marechal Le Pen:
“Why did you erase the cross on top of the Apomachi dome? Why not a French flag? What’s the point of hosting the Olympics in France if it’s to hide who we are?’
Her opponent in Les Républicains, Francois Javier Bellamy, denounced those who “are ready to deny France to the point of distorting reality in order to invalidate her history”, focusing on the cross which “constitutes the deep meaning”.
This dome “is not that of a supermarket but of a chapel,” added MP and president of Gaullist The Republicans, Eric Ciotti, for whom the poster “rejects the very identity of this building as well as French history.”
A new work enters the Museum 🖼️
Olympic and Paralympic posters #Paris2024 !See you until March 10 to discover them in real life at @MuseeOrsay ✨ pic.twitter.com/WWR0pQNRui
— Paris 2024 (@Paris2024) March 5, 2024
Jordan Bardela, president of the Rassemblement national and head of his party’s list for June’s European elections, accused “the contempt for our tricolor flag, the “cancellation of our Christian heritage, the great erasure of our identity “, he added.
The work of the illustrator Hugo Gattoni is “scandalous”, said Nicolas Dupont Aignan, judging that “France dishonors itself by denying its history and culture”.
A picture is worth a thousand words, here are the 2 official posters for our Games: an Olympic and a Paralympic.
Together, they form one and the same great story, that of #Paris2024 🖼️ pic.twitter.com/7oxay5uSz2— Paris 2024 (@Paris2024) March 4, 2024
A picture’s worth a thousand words, here are the 2 iconic posters of our Games: one Olympic and one Paralympic.
Together, they form one big story, that of #Paris2024 🖼️ pic.twitter.com/kpAVESYWJC
— Paris 2024 (@Paris2024) March 5, 2024
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#Reactions #official #poster
