Sexy Zone will overcome any difficulties – the bond visible on the radio just before Kento Nakajima’s graduation announcement – Real Sound|Real Sound

2024-01-10 21:00:59

“SEXY ZONE LIVE TOUR 2023 Chapter II in DOME” was the first and last three-dome tour for the group named Sexy Zone. On the radio “VICTORY ROADS” (bayfm) broadcast on January 7th, Masaru Sato revealed what happened behind the scenes in response to the many impressions he received.

“This is the first episode of the new year, so I hope you’ll continue to support us this year.It’s a long time ago in terms of recording.Please understand that we recorded it before the new year,” he said, laughing as he started the day’s broadcast. When I read out a letter from a listener who said that he and his 4-year-old daughter participated in the Kyocera Dome in Osaka with a handmade fan with the message “Thank you for everything, Katsuki-kun,” the listener replied, “Yes, I remember that!” ! “That’s what I thought,” I can’t help but react. This tour is said to have attracted around 335,000 people for all 7 performances, and considering that they are paying close attention to each and every one of their fans, I can only say, “As expected.”

A listener who went to PayPay Dome in Fukuoka said that “Suki Sugite” has become a “cabaret club champagne call version.” I didn’t realize it was because I liked him so much,” and “I really felt like I had grown up.” Then, Sato laughed a little and said, “That’s right. “You’ve grown up~” is one thing, but it’s like “How have you changed?” (lol).It’s amazing how much you’ve changed. It looked like he couldn’t stay.

Sexy Zone also incorporated an innovative production into this live performance, including an AI-scored karaoke challenge. The song that was performed was the emotional love song “I want to sleep with you in my arms, at least in my dreams,” which is included in their latest album “Chapter II”. It’s a song full of emotion, and it’s an aggressive style that takes into account the variety element of aiming for a high score. The production that conveys the confidence in their singing ability, the cohesiveness of the members, and the sense of unity of the fans watching them is something that only they can do now.

Regarding his original production, he said, “Well, it’s difficult, because the points are determined by a machine.There are places where you can’t get a good score unless you know how to get points for that machine.” It seems like there’s a lot of reverberant sound.It’s surprisingly different from the karaoke environment…” While touching on the difficulty of planning a karaoke scoring project in a live environment, he added, “That’s why you can exceed the score with karaoke at all.” If you’re thinking, “Oh, that’s it,” please rent the dome (lol),” he said, joking in a way only a star can do.

Furthermore, Sato’s appearance in a lion costume for his solo song “Singin’ in the Rain” was a performance that made fans happy. Also, on the radio that day, it was revealed that the production was a suggestion from Fuma Kikuchi, making fans smile even more. “Why don’t you try using a costume? “There was something like that, so it was Fuma-kun.Then, I thought, “The way he appears in a costume, the way the songs connect, etc.” (lol)” Sato, who always tries to explain carefully, says, He seems unusually embarrassed and cuts off his words. One can imagine that between those lines, there was a funny conversation between him and Kikuchi.

He also revealed that he had some trouble connecting Sato to Satoshi Matsushima’s solo song, saying, “Basically, I thought, “Why don’t we add something like this to the idea that Satou gave?” “That’s what it feels like!” You can tell that it was created through a discussion of opinions among the members.

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