The Last House’ Review: Wagner Moura and Greta Lee Bring Conviction to a Suitably Stifling Thriller

Netflix has released Variety, a high-concept sci-fi thriller that transforms a domestic setting into a claustrophobic prison. Directed by Louis Leterrier and written by Matthew Robinson, the film follows a middle-class Seattle family who discover their home has been sealed shut by a mysterious force, leaving them trapped inside for days that eventually stretch into years.

A Domestic Drama of Survival

The story centers on the Delgado family: Jason, an unemployed engineer played by Wagner Moura; his wife Ann, played by Greta Lee; and their children, Graham and Ruth. The family is introduced making early Christmas plans during a torrential downpour when they find every door and window of their home sealed shut. Any efforts to smash through or force open the exits prove futile, and the Delgados soon realize their neighbors are facing the same predicament.

As the confinement becomes indefinite, the film shifts into a survivalist thriller. The family is forced to use their wits and dwindling resources to stay alive, eventually resorting to eating rodents and growing tomatoes. The narrative tracks the family over several years, showing the children growing into teenagers. Graham, played by Noah Alexander Sosnowski and later Gabriel Barbosa, becomes increasingly moody, while Ruth, played by Riley Chung and later Emma Ho, retreats into a vivid imagination involving mythological sea creatures like Krakens and Leviathans.

Psychological Tension and Family Dynamics

While the film incorporates science-fiction and horror elements, much of its strength lies in its role as a psychological chamber drama. The plot explores the fraying of close-knit ties under extreme pressure, as parents Jason and Ann struggle to maintain their authority and shield their children from terror. According to Variety, the film is most compelling as a straightforward domestic drama where the internal family dynamics provide a baseline of credibility while the external threat remains largely inscrutable.

‘The Last House’ Review: An Unthrilling Thriller on Netflix
Photo: WSJ

The film also touches on themes of ecosystemic adaptation and climate change, though these are delivered via loose platitudes from an unidentified female narrator. This narrator notes that before the “great shut-in,” people lived closer to each other but it was easier to feel alone.

Production and Direction

Louis Leterrier, known for his work on Fast X and the series Lupin, balances itchy cabin-fever atmospherics with more expansive action set-pieces. The film is produced by Peter Chernin, Jenno Topping, Kori Adelson, and Oly Obst, with a score composed by Yair Elazar Glotman.

THE LAST HOUSE, from left: Noah Alexander Sosnowski, Greta Lee, Riley Chung, Wagner Moura, 2026. © Netflix / Courtesy
Photo: Variety

Critics have noted the film’s resonance with the COVID-19 lockdowns, describing it as a lockdown redux. However, the technical execution has received mixed reviews. While the house design is intricately detailed, some critics point to “chintzy” digital effects and a creature design that is unmemorable. The mystery of the force imprisoning the world remains vague for roughly an hour of the 1 hour 52 minute runtime, and some reviewers suggest the eventual explanation does not entirely hold water.

Cast and Character Overview

Character Actor(s)
Jason Delgado Wagner Moura
Ann Delgado Greta Lee
Graham Delgado Noah Alexander Sosnowski / Gabriel Barbosa
Ruth Delgado Riley Chung / Emma Ho

The performances by Moura and Lee have been highlighted as emotional anchors for the story. Moura brings a leading man command to the role of the engineer-fisherman, while Lee portrays a mother desperate to preserve her family’s stability amidst the disintegrating mental health of the household.

The Last House | Greta Lee and Wagner Moura | Official Trailer | Netflix
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Marina Collins - Entertainment Editor

Senior Editor, Entertainment Marina is a celebrated pop culture columnist and recipient of multiple media awards. She curates engaging stories about film, music, television, and celebrity news, always with a fresh and authoritative voice.

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