Yes, “Netflix” made a revolution in the world of movie watching, especially over the last three years in which we hid from the Corona virus, so home shows were the best companion for everyone in this difficult circumstance, and with a cheap price, it was easy for everyone to endure the home stone and the inability to communicate with anyone.
But as long as things changed qualitatively, there was talk of a trade-off between viewing dark halls and what electronic platforms provide in homes, not only with “Netflix” and its movies, but with other platforms, including “Disney Plus”, and what it provides to subscribers or those who piracy the available shows from tapes. New ones they watch simultaneously with the date of its presentation in the halls.
Until now, the Cannes Film Festival has remained alone in refusing to deal with “Netflix” productions, because they are presented in homes and not in halls, but “Netflix” took a qualitative step a few days ago, which was announcing that the film it produced by Mexican director Alejandro Gonzalez Inarritu entitled “Bardo: The Record” The liar of a handful of facts” will be shown for 7 weeks in the halls before it is presented on its platform to its subscribers, as usual.
Perhaps the reason for this change was the desire for some additional revenue for the film from the halls before the platforms, in order to keep the search process, which views are better, on a spacious screen in a hall or on a medium-sized screen in the home salon. There is no question that watching the hall is more important with all the sound and scenic effects that the show equipment provides instead of the unsecured copies that are available from time to time on the platforms.
It is possible to deal with the available new copies of huge films on the basis of knowledge and not enjoyment of the music, photography, montage and clarity of the shots, and other details that are achieved during viewing in the halls. Science and news may benefit workers in the critical community to know the atmosphere of some new films before they are programmed in theaters.
Both cases are useful when they are available. As for the real follow-up, it is in front of a giant screen and in a dark room. There is nothing wrong with having some popcorn or refreshments, which are considered by many to be a requisite for the correct presentation, with evidence that the general public of all ages enter the house with this extra amount of luxuries that are most demanded when Hall entrances.