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Entertainment

Slott Returns to Spider-Man, Owl House Sequel & New Comics Zine – Feb 17, 2026 News

by Marina Collins - Entertainment Editor
written by Marina Collins - Entertainment Editor

The comic book world is buzzing with several exciting developments this week, from a celebrated writer returning to a flagship Marvel title to the continuation of a beloved Disney animated series and the launch of a new print zine dedicated to the art form. February 17, 2026, brings a mix of nostalgia and fresh content for fans of superheroes, fantasy, and independent comics journalism.

Dan Slott, known for his extensive function on The Amazing Spider-Man and The Superior Spider-Man, is returning to Marvel to helm a new Spectacular Spider-Man: Brand New Day series. This comes after a period writing for DC Comics, including work on Superman, and a recent project with Marvel’s Fantastic Four: First Foes. The new Spider-Man series, slated for release in May, will arrive just ahead of the Spider-Man: Brand New Day theatrical release in July, promising a coordinated multimedia experience for fans. The series will feature art by Marcos To, covers by Phil Jimenez, and backup stories by Marcos Martin.

Slott’s Return to the Web-Slinger

Slott’s previous run on Spider-Man, particularly his work on the “Brand New Day” storyline in 2008, was a pivotal moment for the character, following the controversial “One More Day” arc which altered Peter Parker’s personal life. The upcoming series will see Spider-Man investigating Kingpin’s “Lexicon,” a directory of his criminal activities, with the Punisher also seeking the book. According to reports, the Punisher will also appear in the upcoming Spider-Man: Brand New Day film, creating a direct tie-in between the comic and the movie.

‘The Owl House’ Continues in Graphic Novel Form

Disney’s critically acclaimed animated series, The Owl House, isn’t quite finished. A new original graphic novel, titled The Long-Lived King: An Original The Owl House Graphic Novel, is set to continue the story. Written by Dana Terrace and Mikki Crisostomo, with art by Daun Han, the graphic novel will focus on the character King and his struggle with outliving his friends. The story centers around King accidentally erasing Luz’s memories and the subsequent quest to restore them. The graphic novel is scheduled for release on September 29, 2026, from Hyperion Avenue. Terrace recently launched the animated series Knights of Guinevere through Glitch Studios after a successful pilot on YouTube.

A New Voice in Comics Journalism: ‘The Comics Staple’

Eisner judge Tiffany Babb is launching The Comics Staple, a monthly, print-only zine dedicated to comic book news, reviews, and interviews. The 12-page, black-and-white publication will feature contributions from a diverse group of writers, including David Brothers, Oliver Sava, David Harper, Susana Polo, Rob Salkowitz, Omar Valdivieso, Zack Quaintance, Jim McDermott, and Babb herself. The zine will also include a page dedicated to the history of comics by Dave Baker, creator of Mary Tyler Moorehawk. A Kickstarter campaign for The Comics Staple is launching soon, joining a growing trend of print-focused comics publications like Comics! The Magazine and Benjamin Percy’s The End Times.

These developments signal a vibrant and evolving landscape for comic book fans, with established creators returning to beloved franchises, popular stories continuing in new formats, and a renewed focus on independent, print-based journalism within the comics community. The success of these ventures will likely indicate the continued demand for diverse and engaging content within the industry.

As the release dates for Spectacular Spider-Man: Brand New Day and The Long-Lived King approach, fans can anticipate further details and previews. The launch of The Comics Staple’s Kickstarter will also be a key moment to watch, potentially setting a precedent for the viability of print-focused comics coverage.

What are your thoughts on Dan Slott’s return to Spider-Man? Share your opinions in the comments below!

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Technology

Marvel’s Spider-Man on Xbox: Insomniac Says It’s “Very Unlikely”

by Sophie Lin - Technology Editor
written by Sophie Lin - Technology Editor

The console exclusivity landscape has shifted dramatically since the 2018 release of Marvel’s Spider-Man, with more first-party titles appearing on competing platforms, and PC. Despite this trend, Insomniac Games appears hesitant to bring its popular web-slinging franchise to Xbox consoles, dashing the hopes of many gamers. The developer’s recent response to a fan inquiry suggests an Xbox version of Spider-Man remains “not likely,” even as Sony expands its reach to PC.

The conversation began when a fan asked Insomniac Games on X (formerly Twitter) about the possibility of Marvel’s Spider-Man making its way to Xbox. The studio’s succinct reply – “Not likely” – quickly circulated among gaming communities. This response arrives amidst a broader industry conversation about platform exclusivity and the potential for greater cross-platform play. However, it’s worth remembering that Insomniac previously stated the game would never appear on PC, a prediction that proved inaccurate when Marvel’s Spider-Man launched on PC in 2022, according to IGN.

The differing approaches to cross-platform releases between Microsoft and Sony are becoming increasingly apparent. Microsoft has embraced a more open strategy, bringing titles like Sea of Thieves and Indiana Jones to other platforms. More recently, Microsoft brought Gears of War to PlayStation and announced a Halo port for Sony consoles, signaling a willingness to share its intellectual property more broadly. Sony, however, remains more cautious, seemingly prioritizing the potential impact on its own hardware sales.

This conservative approach is likely driven by the financial success of the Spider-Man franchise. According to ixbt.games, the first installment in 2018 generated $3.8 billion for Sony, and subsequent releases have each sold over 10 million copies. Even the PC port of Spider-Man 2 earned $8 million in just two days, demonstrating the franchise’s continued profitability.

Insomniac’s next major release, Marvel’s Wolverine, is currently slated for exclusive launch on PlayStation 5 and the upcoming PS5 Pro later this year. The studio has not indicated any plans to deviate from this exclusivity, and it’s anticipated that PlayStation will aim to keep the title exclusive to its platforms, at least initially. Whether a PC port will follow at a later date remains to be seen.

The dynamic between Sony and Microsoft highlights a key tension in the gaming industry: balancing the desire for wider reach and increased revenue with the necessitate to protect platform exclusivity and hardware sales. Whereas Microsoft appears willing to experiment with broader availability, Sony continues to prioritize its own ecosystem, particularly for its most valuable franchises.

Currently, Marvel’s Spider-Man is available on PC, PlayStation 4, and PlayStation 5. Gamers anticipating Marvel’s Wolverine can expect its release on PS5 in fall 2026. The question of whether Spider-Man will ever swing onto Xbox remains open, but Insomniac’s recent statement suggests fans shouldn’t hold their breath.

What comes next for Insomniac and the Spider-Man franchise remains to be seen. The success of Wolverine and the potential for future Spider-Man installments will likely influence Sony’s long-term strategy regarding platform exclusivity. For now, Xbox fans will have to continue enjoying the web-slinger’s adventures on other platforms.

What are your thoughts on platform exclusivity? Share your opinions in the comments below!

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Entertainment

This ‘Stranger Things’ actor dreams of playing ‘Spider-Man’ in the cinema

by Marina Collins - Entertainment Editor
written by Marina Collins - Entertainment Editor

Caleb McLaughlin Eyes Miles Morales Role as ‘Stranger Things’ Alum Fuels Spider-Man Hopes

(archyde.com) – The internet is buzzing with excitement as Caleb McLaughlin, best known for his role as Lucas Sinclair in the hit Netflix series “Stranger Things,” has openly declared his ambition to portray Miles Morales in a future Marvel Cinematic Universe (MCU) Spider-Man film. This news arrives on the heels of another “Stranger Things” alum, Sadie Sink, officially joining the MCU, adding fuel to the fire for fans hoping to spot more of the beloved cast in the superhero world. This represents a developing story, optimized for Google News and SEO visibility.

A Dream Role for the ‘Stranger Things’ Star

McLaughlin revealed his enthusiasm in a recent interview with Variety on February 7th, stating, “I would love to play him… Miles represents something bigger than me… it touches me deeply.” The 24-year-classic actor’s passion for the character is evident, and his connection to New York, having grown up in the Bronx, resonates with Miles Morales’ origins. This isn’t a new sentiment; McLaughlin has been a fan-favorite choice for the role for some time.

Sink Joins the Spider-Verse

The timing of McLaughlin’s statement is particularly noteworthy given Sadie Sink’s recent casting in the fourth Spider-Man film, tentatively titled “Brand New Day.” Sink, who played Max Mayfield in “Stranger Things,” will appear alongside Tom Holland, who will continue his portrayal of Peter Parker. This marks a significant expansion of the “Stranger Things” universe into the MCU, and fans are eager to see how these actors will contribute to the ongoing saga.

Sony’s Hold on the Spider-Man Character

Despite the fervent fan support and McLaughlin’s clear desire, the path to him becoming Miles Morales isn’t straightforward. According to reports, Sony, which holds the rights to Spider-Man and related characters, has requested that Marvel Studios hold off on introducing Miles Morales into live-action until the animated “Spider-Verse” trilogy is complete. The final installment, “Spider-Man: Beyond the Spider-Verse,” is slated for release in 2027.

This situation highlights the complex web of rights and ownership that often governs superhero films. While Marvel Studios has successfully integrated many characters into the MCU, certain properties remain under the control of other studios, requiring careful negotiation and collaboration.

The Future of Miles Morales in Live-Action

The animated “Spider-Verse” films have been critically acclaimed and commercially successful, introducing Miles Morales to a wider audience. Shameik Moore currently voices Miles in the animated franchise. The question remains whether Sony will eventually allow Marvel Studios to bring the character into the live-action MCU, and if so, who will be chosen to portray him. McLaughlin’s public campaign and proven acting ability certainly position him as a strong contender.

For now, fans will have to exercise patience and await further developments. The world of superhero casting is notoriously secretive, and announcements often come as a surprise. Stay tuned to archyde.com for the latest updates on this developing story and all your entertainment news needs. We’ll continue to monitor the situation and provide timely, accurate reporting as it unfolds.

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Entertainment

Spider-Man: Homecoming Now Streaming on Peacock!

by Marina Collins - Entertainment Editor
written by Marina Collins - Entertainment Editor

Spider-Man: Homecoming’s Peacock Debut Signals a Shift in the Streaming Wars

The Marvel Cinematic Universe is a streaming battleground, and the latest move proves it. Spider-Man: Homecoming is now available on Peacock, but this isn’t just about convenient access to a fan-favorite film. It’s a strategic indicator of how Disney is calibrating its content distribution, and a glimpse into the future of superhero streaming – one where exclusive windows are shrinking and accessibility reigns supreme.

The Streaming Landscape: Why Homecoming on Peacock Matters

For years, Marvel Studios films followed a fairly predictable path: theatrical release, then a period of exclusivity on Disney+, and eventually, licensing deals with other platforms. The arrival of Homecoming on Peacock disrupts this pattern. While Disney+ remains the core hub for Marvel content, spreading titles to services like Peacock allows Disney to reach a wider audience and tap into new revenue streams. This is particularly important as the streaming market becomes increasingly saturated, with competition from Netflix, Amazon Prime Video, and Max intensifying.

This move also reflects a broader trend: the decline of long-term streaming exclusivity. Consumers are increasingly subscribing to multiple services, and the idea of waiting months – or even years – for a film to appear on a different platform is losing its appeal. Peacock’s acquisition of Homecoming is a win for viewers, offering more choice and convenience.

Beyond Homecoming: What’s Next for the Web-Slinger?

Tom Holland’s portrayal of Spider-Man has become synonymous with the MCU, spanning six films including the Homecoming trilogy, appearances in Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame. But the future of the character within the MCU is evolving. The upcoming Spider-Man: Brand New Day, directed by Destin Daniel Cretton (known for Shang-Chi and the Legend of the Ten Rings), promises a fresh direction.

The Punisher’s Arrival and a Potential Street-Level Focus

The confirmed appearance of Jon Bernthal as Frank Castle/The Punisher in Brand New Day is particularly intriguing. Bernthal’s gritty and compelling portrayal of the Punisher in the Netflix series The Punisher garnered a dedicated fanbase. His inclusion suggests a potential shift towards a more street-level, noir-influenced Spider-Man story, drawing inspiration from iconic comic book arcs. This could differentiate Brand New Day from the more cosmic-focused narratives of Far From Home and No Way Home.

This move towards darker, more grounded storylines aligns with a growing trend in superhero media. Audiences are showing an appetite for stories that explore the psychological toll of being a hero and the complexities of morality. The success of shows like The Boys on Amazon Prime Video demonstrates this demand.

The Impact on Marvel’s Streaming Strategy

The Peacock deal isn’t an isolated incident. Expect to see Disney continue to experiment with content distribution, strategically licensing titles to other platforms to maximize reach and revenue. This could involve rotating films between Disney+ and other services, or offering exclusive bundles that combine access to multiple platforms.

Furthermore, the success of Homecoming on Peacock will likely inform future licensing decisions. Disney will be closely monitoring viewership data and subscriber engagement to determine which titles are best suited for wider distribution. This data-driven approach will be crucial in navigating the increasingly competitive streaming landscape. Statista reports a continued growth in streaming subscriptions, but also increasing churn, highlighting the need for compelling content and flexible access.

The future of the MCU on streaming isn’t about building walls around exclusive content; it’s about building bridges to reach as many fans as possible. The arrival of Spider-Man: Homecoming on Peacock is a clear signal of this evolving strategy, and a preview of what’s to come.

What are your predictions for the future of Marvel’s streaming strategy? Share your thoughts in the comments below!

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