Liam Neeson’s The Mongoose streams on Prime Video in Sweden

Liam Neeson’s latest action thriller, “The Mongoose,” is now streaming on Prime Video in Sweden, arriving without a theatrical release and with almost no promotion from the platform, MovieZine reported. The film sends the 74-year-old star on a cross-country car chase at 210 kilometers per hour, and it has already drawn a 33% rating on Rotten Tomatoes.

“The Mongoose” skipped Swedish cinemas entirely and landed directly on Prime Video, where it sits alongside a deep bench of Neeson vehicles.

Prime Video Secures Debut Feature’s Exclusive Release

  • “The Mongoose” streams exclusively on Prime Video in Sweden after bypassing theatrical release, with a runtime built around a 210 km/h pursuit.
  • Audience scores are soft — 33% on Rotten Tomatoes and 5/10 on IMDb — though action fans find it reliably entertaining.
  • Director Mark Vanselow makes his feature debut here after years as a stunt performer on major franchises.

Why Prime Video Let Its Liam Neeson Premiere Arrive Quietly

Rather than a cinema run, Amazon’s platform dropped “The Mongoose” straight into its streaming catalog, with little promotional push. For subscribers, the practical effect is simple: the movie is available now, bundled with Prime Video’s existing collection of Neeson titles.

The Mongoose's Big Car Stunts Explained By Star Liam Neeson & Director Mark Vanselow

That collection includes “The Marksman,” “Honest Thief,” “Absolution,” “Non-Stop,” three “Taken” films, and the 2026 horror-comedy “Cold Storage.” A single star’s back catalog has become a retention tool, and “The Mongoose” extends that shelf without requiring new marketing spend.

From Stunt Coordinator to Director: Mark Vanselow’s Feature Debut

Mark Vanselow, who helms the film, spent years behind the camera as a stunt performer before stepping into the director’s chair. His credits include work on “I, Robot” and “Indiana Jones and the Kingdom of the Crystal Skull,” which explains why the movie’s vehicular sequences dominate the runtime. “The Mongoose” is his first feature as director.

The premise follows Ryan “Fang” Flanagan, a decorated war veteran still haunted by Afghanistan. When he confronts his ex-wife’s violent new fiancé, the altercation ends with the man dead. Though Fang acted in self-defense, he is suspected of murder — and in Hollywood logic, the answer is to steal a powerful Shelby Mustang and flee rather than surrender to police.

The Chase That Turned a Fugitive Into a Folk Hero

What follows is an extended pursuit across several American states, with television channels livestreaming the police chase live. Fang becomes something of a folk hero, with millions of Americans following the drama and cheering his escape.

One satisfied Letterboxd user wrote: “It’s simply Liam Neeson doing what Liam Neeson does best. Becomes innocently accused, gets angry, gets behind the wheel and never stops.”

Another viewer was blunter: “Low budget, aging actors at the end of their careers — that’s the type of film. No surprises, just low quality overall. It could have gone straight to DVD.” A third countered that it is “action-packed with car chases from start to finish,” comparing it to the 1977 classic “Smokey and the Bandit.”

Liam Neeson & Mark Vanselow Talk New Action Movie The Mongoose's Wild Car Scenes | Interview

How “The Mongoose” Scores Against the Numbers

Metric Figure Source
Runtime not specified MovieZine
Rotten Tomatoes score 33% positive MovieZine
IMDb rating 5/10 MovieZine
Chase speed in film 210 km/h MovieZine
Neeson’s real-world driving ceiling in roles 93 km/h MovieZine

The table’s last row carries a quiet irony that longtime fans will recognize: despite a career built on vehicular mayhem, Neeson has previously noted that he never drives faster than 93 km/h in his action roles.

Where This Fits in Neeson’s Late-Career Action Machine

At 74, Neeson remains busy with his action roles, and “The Mongoose” follows the formula his audience expects: an innocent man accused, a rage-fueled drive, and no stopping. For Swedish viewers, the movie is one more entry in a streaming catalog that has quietly become a Neeson archive — proof that his name alone can fill a slot without a theatrical window or a marketing campaign.

Photo of author

Marina Collins - Entertainment Editor

Senior Editor, Entertainment Marina is a celebrated pop culture columnist and recipient of multiple media awards. She curates engaging stories about film, music, television, and celebrity news, always with a fresh and authoritative voice.

2026 Midterm Election Analysis: Voter Trends on Abortion Ballot Measures