Tony Leung appeared at the Busan Film Festival in South Korea in a white suit, reviewing 3 movie fashion moments of the electric eye male god

Tony Leung appeared at the Busan Film Festival in South Korea in a white suit, reviewing 3 movie fashion moments of the electric eye male god

“Electric Eye God” Tony Leung flew to South Korea earlier to arrange a film and television itinerary. Earlier, he appeared at the 27th Busan International Film Festival. After his white suit style attracted attention, he had dinner with the director of Netflix’s popular Korean drama “Squid Game 2”, suggesting that he would participate in the shooting of the Korean drama. Friends who were fascinated by Chao Wei’s charm , I believe we are looking forward to his works.

This year is Tony Leung’s 60th birthday. He came from the film because of his excellent appearance and brought countless classic styles. Among them, we will not ignore the fashionable moments in film and television works. Let’s review together.

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The 27th Busan International Film Festival opened. In this event in the film industry, Tony Leung, who returned to the film industry and gradually became active again, also attended in a white suit with a black collar and a black collar, and was awarded the “Asian Filmmaker Award” . At the opening ceremony of the Busan International Film Festival, Tony Leung gave his testimonials in English. After visiting South Korea again after seven years, he not only thanked him for the award, but also thanked him for the opportunity to come to Busan again and meet fans. In this film festival, South Korean audiences can enjoy the exhibition of Liang Chaowei’s works, including six sets of classic works such as “Breakthrough”, “Infernal Affairs” and “East and West”, all of which were selected by him. The white suit makes Tony Leung look high-spirited. Compared with the black suit, the white suit will be eye-catching, but the one he chose is mainly off-white, exuding a simple feeling.

梁朝偉以白西裝現身韓國釜山電影節,回顧電眼男神的3個時尚時刻

(Getty Images)

梁朝偉以白西裝現身韓國釜山電影節,回顧電眼男神的3個時尚時刻

(Getty Images)

梁朝偉以白西裝現身韓國釜山電影節,回顧電眼男神的3個時尚時刻

(Getty Images)

“Killer Butterfly Dream”: The playfulness of Hawaiian shirts

Returning to the screen, one of Tony Leung’s most fashionable films must be “The Killer Butterfly Dream” directed by Tan Jiaming, which was released in 1989. “Killer Butterfly Dream” started with a love line, and later developed into a story of a group of unfortunate people who wanted to live in peace, but were involved in vendetta. Tony Leung played the driver Ah Xiang of the gang boss God (Chen Huimin), but he liked Zhang Li played by Wang Zuxian as much as the God. For Zhang Li, Tony Leung betrayed the god and assisted Marlene and Zhang Li, played by Zhong Zhentao, to escape together. In the end, only A Xiang survived and left Hong Kong. In “Killer Butterfly Dream”, Tony Leung has a kind of infatuation and stupidity. Compared with the solid-colored clothes that Marx and Lenin often wear, A Xiang works for a gangster, so he often wears a very fancy Hawaiian shirt, and he never buttoned the top. The button, while being playful, also uses blue-yellow and other keynotes, so that the character cannot be ignored.

“Hero”: Delicacy in ancient costumes

Tony Leung’s fashion charm is not limited to fashion, but also continues in ancient fashion. Released in 2002, directed by Zhang Yimou, and starring Jet Li, Tony Leung, Maggie Cheung, Zhang Ziyi, Chen Daoming, and Donnie Yen, “Hero” definitely reflects Tony Leung’s elegance in ancient costumes. He played Can Jian who tried to assassinate the King of Qin, and finally sacrificed his life to protect his lover. The costume design features in “Hero” include the use of a large solid color as the costume, and the same color but slightly darker as the lining to create a three-dimensional visual sense. Liang Chaowei wears pure white and pure blue among them. The most classic of them is Maggie Cheung, who plays his lover, wearing green clothes and dancing swords together, wiping out this uncontrollable green.

“2046”: Multiple Personalities Wander Between Different Women

Although performing the same role, the costumes of “2046” are obviously richer than those of “In the Mood for Love”, and it is also worth interpreting. In “2046”, Tony Leung continued to play Zhou Muyun, who met the women living in room 2046 and wandered between Bai Ling (played by Zhang Ziyi) and Wang Jingwen (played by Faye Wong). Tony Leung had a beard in “2046”, which would have made the look cynical. In addition to wearing a suit similar to “In the Mood for Love”, there are also shirts and wool vests. The rich fashion charm in it is directly proportional to the amorous feelings of the characters, and it also reflects the complex emotions of men at the moment.

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