Home » Economy » Secondary seminar of the mutual growth of the negotiations, popular music performances and tourism industry “Sustainable future discussions of popular music performances and tourism industry”

Secondary seminar of the mutual growth of the negotiations, popular music performances and tourism industry “Sustainable future discussions of popular music performances and tourism industry”

South Korea to Supercharge Tourism with K-Pop: ‘K-Performance Tourism Hub’ Unveiled

Seoul, South Korea – September 30, 2023 – In a move poised to reshape South Korea’s tourism landscape, the Korea Popular Music Performing Industry Association and the Ministry of Culture, Sports and Tourism are forging ahead with plans to integrate the nation’s globally renowned K-Pop scene with a robust tourism strategy. This breaking news comes as the government doubles down on its “K-Culture 300 trillion vision,” recognizing the immense economic potential of leveraging cultural exports.

Addressing Imbalances & Infrastructure Gaps in the K-Pop Ecosystem

A second seminar, held today at Myeonghwa Live Hall in Seoul, built upon discussions from a July event, focusing on tasks and collaborative plans for mutual growth. Key industry figures highlighted existing challenges. Keimyeong-guk, the first director of the Jarasum Jazz Festival, pointed to a “market imbalance and polarization” within the performance ecosystem, alongside critical infrastructure shortages and over-reliance on local government funding. He stressed the need to link local budgets, including ESG programs, to address practical needs like transportation, lodging, and dedicated tourist buses.

This isn’t just about attracting fans; it’s about building a sustainable ecosystem. The Jarasum Jazz Festival’s experience demonstrates the significant regional economic contributions music events can generate, but only when supported by adequate infrastructure. For years, South Korea’s rapid rise in global music popularity has outpaced its ability to provide seamless experiences for international visitors.

YG Entertainment Proposes ‘K-Performance Tourism Hub’ Platform

A potential solution was presented by Chung of YG Entertainment, who proposed a “K-Performance Tourism Hub” – a comprehensive platform connecting performance schedules, ticket reservations, transportation, and accommodation. This integrated approach aims to streamline the entire fan experience, making it easier for international K-Pop enthusiasts to plan and enjoy their trips to Korea. Imagine a single portal handling everything from concert tickets to airport transfers and hotel bookings – a game-changer for music tourism.

Beyond Viewing: Institutional Flexibility & IP Protection

Professor Lee Hoon of Hanyang University’s Department of Tourism emphasized the need to move beyond simply “viewing” performances. He advocated for institutional flexibility, fostering cooperation between performance organizers, festivals, and tourism agencies. Crucially, he highlighted the importance of improving copyright (IP) protection to incentivize content creation and attract investment. Stronger IP laws are vital for protecting the rights of artists and ensuring the long-term viability of the industry.

Government Investment & Arena Construction

Kim Hyun-mok, head of the Ministry of Culture, Sports and Tourism, revealed that the government is actively reviewing the construction of a 50,000-seat arena as a national priority. This ambitious project underscores the government’s commitment to providing world-class venues capable of hosting large-scale international performances. He also affirmed continued budget support for improving existing venue facilities and bolstering local concert profits. This isn’t just about building a bigger space; it’s about creating a state-of-the-art facility that can compete on the global stage.

The Core of Success: Content & Quality

Participants at the seminar consistently emphasized that the success of performance tourism hinges on “reliable content and stable quality.” This means investing in artist development, ensuring high production values, and maintaining a consistent level of excellence across all performances. While infrastructure and logistics are important, the quality of the music itself remains paramount.

As emerging music markets in Japan, Southeast Asia, and Indonesia rapidly develop, South Korea recognizes the urgency of establishing a competitive advantage. The integration of performance content and tourism isn’t just a strategic move; it’s a necessity for maintaining its position as a global cultural leader. The government’s ongoing series of seminars, with a third scheduled for December, demonstrates a sustained commitment to fostering this crucial synergy. Currently, over 40 performers are actively engaged in concerts, festivals, world tours, and performances within Korea, signaling a vibrant and growing industry.

This initiative promises not only to boost South Korea’s tourism revenue but also to further solidify its reputation as a global epicenter of popular music and cultural innovation. Stay tuned to archyde.com for continued coverage of this developing story and the latest insights into the evolving world of K-Pop and its impact on the global stage.

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